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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 1 / 57 / 12 it is the complementary color CMYK 81 / 79 / 0 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 1 / 57 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 1 / 57 / 12: CMYK 0 / 3 / 60 / 10, CMYK 0 / 2 / 55 / 4, CMYK 0 / 0 / 49 / 0, CMYK 0 / 0 / 42 / 0 and CMYK 0 / 0 / 35 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 1 / 57 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 1 / 57 / 12: CMYK 0 / 1 / 57 / 12, CMYK 0 / 1 / 63 / 19, CMYK 0 / 2 / 69 / 25, CMYK 0 / 3 / 77 / 32 and CMYK 0 / 4 / 87 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 57 / 12

HEX #E0DE60

RGB 224 222 96

HSL 59.06, 0.67%, 0.63%

LAB 86.47, -15.23, 60.64

 

Complementary color

CMYK 81 / 79 / 0 / 38

HEX #1F219F

RGB 31 33 159

HSL 239.06, 0.67%, 0.37%

LAB 23.28, 43.88, -66.84

 

CMYK 0 / 3 / 60 / 10

HEX #E5DE5B

RGB 229 222 91

HSL 56.96, 0.73%, 0.63%

LAB 86.83, -13.54, 63.29

 

CMYK 0 / 2 / 55 / 4

HEX #F6F06E

RGB 246 240 110

HSL 57.35, 0.88%, 0.7%

LAB 93.03, -14.21, 62.36

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 1 / 57 / 12

HEX #E0DE60

RGB 224 222 96

HSL 59.06, 0.67%, 0.63%

LAB 86.47, -15.23, 60.64

 

CMYK 0 / 1 / 63 / 19

HEX #CFCC4D

RGB 207 204 77

HSL 58.62, 0.58%, 0.56%

LAB 80.17, -14.53, 61.48

 

CMYK 0 / 2 / 69 / 25

HEX #BEBA3A

RGB 190 186 58

HSL 58.18, 0.53%, 0.49%

LAB 73.79, -13.7, 62.03

 

CMYK 0 / 3 / 77 / 32

HEX #ADA827

RGB 173 168 39

HSL 57.76, 0.63%, 0.42%

LAB 67.3, -12.68, 62

 

CMYK 0 / 4 / 87 / 39

HEX #9C9614

RGB 156 150 20

HSL 57.35, 0.77%, 0.35%

LAB 60.72, -11.44, 60.94

 

CMYK 0 / 1 / 57 / 12

HEX #E0DE60

RGB 224 222 96

HSL 59.06, 0.67%, 0.63%

LAB 86.47, -15.23, 60.64

 

CMYK 9 / 0 / 57 / 13

HEX #CCDF61

RGB 204 223 97

HSL 69.05, 0.66%, 0.63%

LAB 85.24, -23.68, 58.41

 

CMYK 18 / 0 / 57 / 13

HEX #B7DF61

RGB 183 223 97

HSL 79.05, 0.66%, 0.63%

LAB 83.81, -31.85, 56.4

 

CMYK 27 / 0 / 57 / 13

HEX #A2DF61

RGB 162 223 97

HSL 89.05, 0.66%, 0.63%

LAB 82.55, -39.63, 54.63

 

CMYK 37 / 0 / 57 / 13

HEX #8DDF61

RGB 141 223 97

HSL 99.05, 0.66%, 0.63%

LAB 81.46, -46.85, 53.08

 

CMYK 0 / 1 / 57 / 12

HEX #E0DE60

RGB 224 222 96

HSL 59.06, 0.67%, 0.63%

LAB 86.47, -15.23, 60.64

 

CMYK 0 / 0 / 55 / 92

HEX #141409

RGB 20 20 9

HSL 60, 0.38%, 0.06%

LAB 6.04, -1.95, 5.32

 

CMYK 0 / 1 / 58 / 72

HEX #47461E

RGB 71 70 30

HSL 58.54, 0.41%, 0.2%

LAB 28.94, -6.06, 23.97

 

CMYK 0 / 1 / 57 / 52

HEX #7A7934

RGB 122 121 52

HSL 59.14, 0.4%, 0.34%

LAB 49.57, -9.55, 37.29

 

CMYK 0 / 1 / 57 / 32

HEX #ADAB4A

RGB 173 171 74

HSL 58.79, 0.4%, 0.48%

LAB 68.39, -12.22, 49.16

 

CMYK 0 / 1 / 57 / 12

HEX #E0DE60

RGB 224 222 96

HSL 59.06, 0.67%, 0.63%

LAB 86.47, -15.23, 60.64

 

CMYK 57 / 0 / 46 / 13

HEX #61DF78

RGB 97 223 120

HSL 130.95, 0.66%, 0.63%

LAB 80, -56.39, 40.05

 

CMYK 23 / 57 / 0 / 13

HEX #AB61DF

RGB 171 97 223

HSL 275.24, 0.66%, 0.63%

LAB 54.59, 52.02, -52.82

 

CMYK 0 / 1 / 57 / 12

HEX #E0DE60

RGB 224 222 96

HSL 59.06, 0.67%, 0.63%

LAB 86.47, -15.23, 60.64

 

CMYK 57 / 0 / 1 / 13

HEX #61DFDD

RGB 97 223 221

HSL 179.05, 0.66%, 0.63%

LAB 82.13, -35.1, -9.58

 

CMYK 1 / 57 / 0 / 13

HEX #DD61DF

RGB 221 97 223

HSL 299.05, 0.66%, 0.63%

LAB 61, 64.64, -42.25

 

CMYK 0 / 1 / 57 / 12

HEX #E0DE60

RGB 224 222 96

HSL 59.06, 0.67%, 0.63%

LAB 86.47, -15.23, 60.64

 

CMYK 57 / 0 / 46 / 13

HEX #61DF78

RGB 97 223 120

HSL 130.95, 0.66%, 0.63%

LAB 80, -56.39, 40.05

 

CMYK 57 / 56 / 0 / 13

HEX #6163DF

RGB 97 99 223

HSL 239.05, 0.66%, 0.63%

LAB 48, 34.41, -63.79

 

CMYK 0 / 57 / 10 / 13

HEX #DF61C8

RGB 223 97 200

HSL 310.95, 0.66%, 0.63%

LAB 60.26, 61.39, -30.42

 

CMYK 0 / 1 / 57 / 12

HEX #E0DE60

RGB 224 222 96

HSL 59.06, 0.67%, 0.63%

LAB 86.47, -15.23, 60.64

 

CMYK 57 / 0 / 29 / 13

HEX #61DF9E

RGB 97 223 158

HSL 149.05, 0.66%, 0.63%

LAB 80.62, -49.78, 21.55

 

CMYK 57 / 56 / 0 / 13

HEX #6163DF

RGB 97 99 223

HSL 239.05, 0.66%, 0.63%

LAB 48, 34.41, -63.79

 

CMYK 0 / 57 / 27 / 13

HEX #DF61A2

RGB 223 97 162

HSL 329.05, 0.66%, 0.63%

LAB 58.83, 55.94, -10.79

 

Description

Color code: CMYK 0 / 1 / 57 / 12 | qconv.com Color code: CMYK 0 / 1 / 57 / 12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 222 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 222 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 57 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 57% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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