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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 1 / 46 / 38 it is the complementary color CMYK 43 / 42 / 0 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 1 / 46 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 1 / 46 / 38: CMYK 0 / 4 / 51 / 36, CMYK 0 / 3 / 45 / 29, CMYK 0 / 2 / 40 / 23, CMYK 0 / 1 / 36 / 16 and CMYK 0 / 1 / 32 / 9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 1 / 46 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 1 / 46 / 38: CMYK 0 / 1 / 46 / 38, CMYK 0 / 1 / 53 / 45, CMYK 0 / 2 / 62 / 51, CMYK 0 / 4 / 74 / 58 and CMYK 0 / 6 / 90 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 46 / 38

HEX #9E9D55

RGB 158 157 85

HSL 59.18, 0.3%, 0.48%

LAB 63.38, -10.25, 37.59

 

Complementary color

CMYK 43 / 42 / 0 / 33

HEX #6162AA

RGB 97 98 170

HSL 239.18, 0.3%, 0.52%

LAB 44.49, 18.5, -38.82

 

CMYK 0 / 4 / 51 / 36

HEX #A39D50

RGB 163 157 80

HSL 55.66, 0.34%, 0.48%

LAB 63.74, -8.61, 40.66

 

CMYK 0 / 3 / 45 / 29

HEX #B4AF63

RGB 180 175 99

HSL 56.3, 0.35%, 0.55%

LAB 70.36, -9.13, 39.44

 

CMYK 0 / 2 / 40 / 23

HEX #C5C176

RGB 197 193 118

HSL 56.96, 0.41%, 0.62%

LAB 76.87, -9.56, 38.22

 

CMYK 0 / 1 / 36 / 16

HEX #D6D389

RGB 214 211 137

HSL 57.66, 0.48%, 0.69%

LAB 83.28, -9.91, 37.05

 

CMYK 0 / 1 / 32 / 9

HEX #E7E59C

RGB 231 229 156

HSL 58.4, 0.61%, 0.76%

LAB 89.59, -10.21, 35.91

 

CMYK 0 / 1 / 46 / 38

HEX #9E9D55

RGB 158 157 85

HSL 59.18, 0.3%, 0.48%

LAB 63.38, -10.25, 37.59

 

CMYK 0 / 1 / 53 / 45

HEX #8D8B42

RGB 141 139 66

HSL 58.4, 0.36%, 0.41%

LAB 56.61, -9.73, 38.81

 

CMYK 0 / 2 / 62 / 51

HEX #7C792F

RGB 124 121 47

HSL 57.66, 0.45%, 0.34%

LAB 49.7, -9.05, 39.92

 

CMYK 0 / 4 / 74 / 58

HEX #6B671C

RGB 107 103 28

HSL 56.96, 0.59%, 0.26%

LAB 42.63, -8.14, 40.65

 

CMYK 0 / 6 / 90 / 65

HEX #5A5509

RGB 90 85 9

HSL 56.3, 0.82%, 0.19%

LAB 35.38, -6.88, 40.22

 

CMYK 0 / 1 / 46 / 38

HEX #9E9D55

RGB 158 157 85

HSL 59.18, 0.3%, 0.48%

LAB 63.38, -10.25, 37.59

 

CMYK 7 / 0 / 47 / 38

HEX #949F55

RGB 148 159 85

HSL 68.92, 0.3%, 0.48%

LAB 63.13, -15.48, 37.11

 

CMYK 15 / 0 / 47 / 38

HEX #879F55

RGB 135 159 85

HSL 79.46, 0.3%, 0.48%

LAB 62.17, -20.79, 35.71

 

CMYK 23 / 0 / 47 / 38

HEX #7B9F55

RGB 123 159 85

HSL 89.19, 0.3%, 0.48%

LAB 61.36, -25.51, 34.53

 

CMYK 30 / 0 / 47 / 38

HEX #6F9F55

RGB 111 159 85

HSL 98.92, 0.3%, 0.48%

LAB 60.63, -30.01, 33.46

 

CMYK 0 / 1 / 46 / 38

HEX #9E9D55

RGB 158 157 85

HSL 59.18, 0.3%, 0.48%

LAB 63.38, -10.25, 37.59

 

CMYK 0 / 0 / 46 / 18

HEX #D1D070

RGB 209 208 112

HSL 59.38, 0.51%, 0.63%

LAB 81.75, -12.99, 47.47

 

CMYK 0 / 0 / 40 / 98

HEX #050503

RGB 5 5 3

HSL 60, 0.25%, 0.02%

LAB 1.33, -0.28, 0.76

 

CMYK 0 / 0 / 46 / 78

HEX #38381E

RGB 56 56 30

HSL 60, 0.3%, 0.17%

LAB 22.87, -4.77, 16.24

 

CMYK 0 / 1 / 46 / 58

HEX #6B6A3A

RGB 107 106 58

HSL 58.78, 0.3%, 0.32%

LAB 43.86, -7.3, 26.99

 

CMYK 0 / 1 / 46 / 38

HEX #9E9D55

RGB 158 157 85

HSL 59.18, 0.3%, 0.48%

LAB 63.38, -10.25, 37.59

 

CMYK 47 / 0 / 38 / 38

HEX #559F63

RGB 85 159 99

HSL 131.35, 0.3%, 0.48%

LAB 59.55, -36.43, 24.35

 

CMYK 19 / 47 / 0 / 38

HEX #80559F

RGB 128 85 159

HSL 274.86, 0.3%, 0.48%

LAB 43.64, 32.23, -33.46

 

CMYK 0 / 1 / 46 / 38

HEX #9E9D55

RGB 158 157 85

HSL 59.18, 0.3%, 0.48%

LAB 63.38, -10.25, 37.59

 

CMYK 47 / 0 / 1 / 38

HEX #559F9D

RGB 85 159 157

HSL 178.38, 0.3%, 0.48%

LAB 60.92, -23.51, -6.12

 

CMYK 1 / 47 / 0 / 38

HEX #9D559F

RGB 157 85 159

HSL 298.38, 0.3%, 0.48%

LAB 47.19, 41.03, -27.64

 

CMYK 0 / 1 / 46 / 38

HEX #9E9D55

RGB 158 157 85

HSL 59.18, 0.3%, 0.48%

LAB 63.38, -10.25, 37.59

 

CMYK 47 / 0 / 38 / 38

HEX #559F63

RGB 85 159 99

HSL 131.35, 0.3%, 0.48%

LAB 59.55, -36.43, 24.35

 

CMYK 47 / 46 / 0 / 38

HEX #55569F

RGB 85 86 159

HSL 239.19, 0.3%, 0.48%

LAB 39.73, 19.57, -39.91

 

CMYK 0 / 47 / 9 / 38

HEX #9F5591

RGB 159 85 145

HSL 311.35, 0.3%, 0.48%

LAB 46.86, 39.08, -19.8

 

CMYK 0 / 1 / 46 / 38

HEX #9E9D55

RGB 158 157 85

HSL 59.18, 0.3%, 0.48%

LAB 63.38, -10.25, 37.59

 

CMYK 47 / 0 / 24 / 38

HEX #559F79

RGB 85 159 121

HSL 149.19, 0.3%, 0.48%

LAB 59.99, -32.15, 12.8

 

CMYK 47 / 46 / 0 / 38

HEX #55569F

RGB 85 86 159

HSL 239.19, 0.3%, 0.48%

LAB 39.73, 19.57, -39.91

 

CMYK 0 / 47 / 23 / 38

HEX #9F557B

RGB 159 85 123

HSL 329.19, 0.3%, 0.48%

LAB 46.04, 35.44, -7.81

 

Description

Color code: CMYK 0 / 1 / 46 / 38 | qconv.com Color code: CMYK 0 / 1 / 46 / 38 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 157 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 157 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 46 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 46% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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