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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 19 / 43 / 16 it is the complementary color CMYK 69 / 39 / 0 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 19 / 43 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 19 / 43 / 16: CMYK 0 / 21 / 47 / 14, CMYK 0 / 19 / 42 / 7, CMYK 0 / 17 / 39 / 1, CMYK 0 / 11 / 32 / 0 and CMYK 0 / 4 / 24 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 19 / 43 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 19 / 43 / 16: CMYK 0 / 19 / 43 / 16, CMYK 0 / 21 / 48 / 23, CMYK 0 / 23 / 53 / 29, CMYK 0 / 26 / 60 / 36 and CMYK 0 / 30 / 68 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 43 / 16

HEX #D6AE7A

RGB 214 174 122

HSL 33.91, 0.53%, 0.66%

LAB 73.53, 7.75, 32.15

 

Complementary color

CMYK 69 / 39 / 0 / 48

HEX #295185

RGB 41 81 133

HSL 213.91, 0.53%, 0.34%

LAB 34.09, 4.06, -33.3

 

CMYK 0 / 21 / 47 / 14

HEX #DBAE75

RGB 219 174 117

HSL 33.53, 0.59%, 0.66%

LAB 73.94, 9.26, 35.41

 

CMYK 0 / 19 / 42 / 7

HEX #ECC088

RGB 236 192 136

HSL 33.6, 0.72%, 0.73%

LAB 80.35, 8.5, 34.13

 

CMYK 0 / 17 / 39 / 1

HEX #FDD29B

RGB 253 210 155

HSL 33.67, 0.96%, 0.8%

LAB 86.67, 7.84, 32.91

 

CMYK 0 / 11 / 32 / 0

HEX #FFE4AE

RGB 255 228 174

HSL 40, 1%, 0.84%

LAB 91.6, 1.57, 29.77

 

CMYK 0 / 4 / 24 / 0

HEX #FFF6C1

RGB 255 246 193

HSL 51.29, 1%, 0.88%

LAB 96.42, -5.08, 26.64

 

CMYK 0 / 19 / 43 / 16

HEX #D6AE7A

RGB 214 174 122

HSL 33.91, 0.53%, 0.66%

LAB 73.53, 7.75, 32.15

 

CMYK 0 / 21 / 48 / 23

HEX #C59C67

RGB 197 156 103

HSL 33.83, 0.45%, 0.59%

LAB 67, 8.53, 33.47

 

CMYK 0 / 23 / 53 / 29

HEX #B48A54

RGB 180 138 84

HSL 33.75, 0.39%, 0.52%

LAB 60.36, 9.45, 34.87

 

CMYK 0 / 26 / 60 / 36

HEX #A37841

RGB 163 120 65

HSL 33.67, 0.43%, 0.45%

LAB 53.6, 10.55, 36.34

 

CMYK 0 / 30 / 68 / 43

HEX #92662E

RGB 146 102 46

HSL 33.6, 0.52%, 0.38%

LAB 46.73, 11.89, 37.81

 

CMYK 0 / 19 / 43 / 16

HEX #D6AE7A

RGB 214 174 122

HSL 33.91, 0.53%, 0.66%

LAB 73.53, 7.75, 32.15

 

CMYK 0 / 12 / 43 / 16

HEX #D6BC7A

RGB 214 188 122

HSL 43.04, 0.53%, 0.66%

LAB 77.08, 0.32, 36.74

 

CMYK 0 / 5 / 43 / 16

HEX #D6CB7A

RGB 214 203 122

HSL 52.83, 0.53%, 0.66%

LAB 80.97, -7.46, 41.67

 

CMYK 2 / 0 / 43 / 16

HEX #D1D67A

RGB 209 214 122

HSL 63.26, 0.53%, 0.66%

LAB 83.47, -15.01, 44.71

 

CMYK 9 / 0 / 43 / 16

HEX #C2D67A

RGB 194 214 122

HSL 73.04, 0.53%, 0.66%

LAB 82.36, -20.86, 43.08

 

CMYK 0 / 19 / 43 / 16

HEX #D6AE7A

RGB 214 174 122

HSL 33.91, 0.53%, 0.66%

LAB 73.53, 7.75, 32.15

 

CMYK 0 / 20 / 40 / 96

HEX #0A0806

RGB 10 8 6

HSL 30, 0.25%, 0.03%

LAB 2.27, 0.25, 0.94

 

CMYK 0 / 18 / 43 / 76

HEX #3D3223

RGB 61 50 35

HSL 34.62, 0.27%, 0.19%

LAB 21.56, 2.34, 11.4

 

CMYK 0 / 19 / 43 / 56

HEX #705B40

RGB 112 91 64

HSL 33.75, 0.27%, 0.35%

LAB 40.08, 4.5, 18.79

 

CMYK 0 / 18 / 43 / 36

HEX #A3855D

RGB 163 133 93

HSL 34.29, 0.28%, 0.5%

LAB 57.42, 5.89, 25.86

 

CMYK 0 / 19 / 43 / 16

HEX #D6AE7A

RGB 214 174 122

HSL 33.91, 0.53%, 0.66%

LAB 73.53, 7.75, 32.15

 

CMYK 32 / 0 / 43 / 16

HEX #91D67A

RGB 145 214 122

HSL 105, 0.53%, 0.66%

LAB 79.34, -38.65, 38.63

 

CMYK 36 / 43 / 0 / 16

HEX #887AD6

RGB 136 122 214

HSL 249.13, 0.53%, 0.66%

LAB 56.1, 26.81, -45.56

 

CMYK 0 / 19 / 43 / 16

HEX #D6AE7A

RGB 214 174 122

HSL 33.91, 0.53%, 0.66%

LAB 73.53, 7.75, 32.15

 

CMYK 43 / 0 / 20 / 16

HEX #7AD6AC

RGB 122 214 172

HSL 152.61, 0.53%, 0.66%

LAB 79.16, -36.99, 12.28

 

CMYK 20 / 43 / 0 / 16

HEX #AC7AD6

RGB 172 122 214

HSL 272.61, 0.53%, 0.66%

LAB 59.48, 36.81, -40.01

 

CMYK 0 / 19 / 43 / 16

HEX #D6AE7A

RGB 214 174 122

HSL 33.91, 0.53%, 0.66%

LAB 73.53, 7.75, 32.15

 

CMYK 32 / 0 / 43 / 16

HEX #91D67A

RGB 145 214 122

HSL 105, 0.53%, 0.66%

LAB 79.34, -38.65, 38.63

 

CMYK 43 / 24 / 0 / 16

HEX #7AA3D6

RGB 122 163 214

HSL 213.26, 0.53%, 0.66%

LAB 65.89, -0.65, -30.31

 

CMYK 11 / 43 / 0 / 16

HEX #BF7AD6

RGB 191 122 214

HSL 285, 0.53%, 0.66%

LAB 61.52, 42.35, -36.65

 

CMYK 0 / 19 / 43 / 16

HEX #D6AE7A

RGB 214 174 122

HSL 33.91, 0.53%, 0.66%

LAB 73.53, 7.75, 32.15

 

CMYK 43 / 0 / 41 / 16

HEX #7AD67E

RGB 122 214 126

HSL 122.61, 0.53%, 0.66%

LAB 78.31, -45.28, 35.08

 

CMYK 43 / 24 / 0 / 16

HEX #7AA3D6

RGB 122 163 214

HSL 213.26, 0.53%, 0.66%

LAB 65.89, -0.65, -30.31

 

CMYK 0 / 43 / 2 / 16

HEX #D67AD1

RGB 214 122 209

HSL 303.26, 0.53%, 0.66%

LAB 64.01, 48.24, -29.77

 

Description

Color code: CMYK 0 / 19 / 43 / 16 | qconv.com Color code: CMYK 0 / 19 / 43 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 174 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 174 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 43 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 43% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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