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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 19 / 26 / 58 it is the complementary color CMYK 16 / 5 / 0 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 19 / 26 / 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 19 / 26 / 58: CMYK 0 / 22 / 34 / 56, CMYK 0 / 19 / 28 / 49, CMYK 0 / 16 / 23 / 43, CMYK 0 / 13 / 20 / 36 and CMYK 0 / 12 / 17 / 29

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 19 / 26 / 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 19 / 26 / 58: CMYK 0 / 19 / 26 / 58, CMYK 0 / 23 / 33 / 65, CMYK 0 / 30 / 44 / 71, CMYK 0 / 41 / 61 / 78 and CMYK 0 / 62 / 92 / 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 26 / 58

HEX #6B574F

RGB 107 87 79

HSL 17.14, 0.15%, 0.36%

LAB 38.74, 6.86, 7.73

 

Complementary color

CMYK 16 / 5 / 0 / 31

HEX #94A8B0

RGB 148 168 176

HSL 197.14, 0.15%, 0.64%

LAB 67.6, -5.24, -6.48

 

CMYK 0 / 22 / 34 / 56

HEX #70574A

RGB 112 87 74

HSL 20.53, 0.2%, 0.36%

LAB 39.17, 8.27, 11.49

 

CMYK 0 / 19 / 28 / 49

HEX #81695D

RGB 129 105 93

HSL 20, 0.16%, 0.44%

LAB 46.39, 7.61, 10.34

 

CMYK 0 / 16 / 23 / 43

HEX #927B70

RGB 146 123 112

HSL 19.41, 0.13%, 0.51%

LAB 53.44, 7.06, 9.31

 

CMYK 0 / 13 / 20 / 36

HEX #A38D83

RGB 163 141 131

HSL 18.75, 0.15%, 0.58%

LAB 60.32, 6.6, 8.37

 

CMYK 0 / 12 / 17 / 29

HEX #B49F96

RGB 180 159 150

HSL 18, 0.17%, 0.65%

LAB 67.05, 6.19, 7.5

 

CMYK 0 / 19 / 26 / 58

HEX #6B574F

RGB 107 87 79

HSL 17.14, 0.15%, 0.36%

LAB 38.74, 6.86, 7.73

 

CMYK 0 / 23 / 33 / 65

HEX #5A453C

RGB 90 69 60

HSL 18, 0.2%, 0.29%

LAB 31.25, 7.53, 8.89

 

CMYK 0 / 30 / 44 / 71

HEX #493329

RGB 73 51 41

HSL 18.75, 0.28%, 0.22%

LAB 23.49, 8.4, 10.26

 

CMYK 0 / 41 / 61 / 78

HEX #382116

RGB 56 33 22

HSL 19.41, 0.44%, 0.15%

LAB 15.42, 9.62, 12

 

CMYK 0 / 62 / 92 / 85

HEX #270F03

RGB 39 15 3

HSL 20, 0.86%, 0.08%

LAB 7.04, 11.11, 9.53

 

CMYK 0 / 19 / 26 / 58

HEX #6B574F

RGB 107 87 79

HSL 17.14, 0.15%, 0.36%

LAB 38.74, 6.86, 7.73

 

CMYK 0 / 14 / 26 / 59

HEX #695A4E

RGB 105 90 78

HSL 26.67, 0.15%, 0.36%

LAB 39.35, 4.01, 9.19

 

CMYK 0 / 10 / 26 / 59

HEX #695F4E

RGB 105 95 78

HSL 37.78, 0.15%, 0.36%

LAB 40.8, 1, 11.2

 

CMYK 0 / 6 / 26 / 59

HEX #69634E

RGB 105 99 78

HSL 46.67, 0.15%, 0.36%

LAB 41.96, -1.39, 12.81

 

CMYK 0 / 1 / 26 / 59

HEX #69684E

RGB 105 104 78

HSL 57.78, 0.15%, 0.36%

LAB 43.44, -4.32, 14.83

 

CMYK 0 / 19 / 26 / 58

HEX #6B574F

RGB 107 87 79

HSL 17.14, 0.15%, 0.36%

LAB 38.74, 6.86, 7.73

 

CMYK 0 / 19 / 26 / 38

HEX #9E8075

RGB 158 128 117

HSL 16.1, 0.17%, 0.54%

LAB 56.08, 9.8, 10.32

 

CMYK 0 / 19 / 26 / 18

HEX #D1AA9A

RGB 209 170 154

HSL 17.45, 0.37%, 0.71%

LAB 72.65, 11.86, 13.62

 

CMYK 0 / 20 / 20 / 98

HEX #050404

RGB 5 4 4

HSL 0, 0.11%, 0.02%

LAB 1.15, 0.26, 0.09

 

CMYK 0 / 18 / 27 / 78

HEX #382E29

RGB 56 46 41

HSL 20, 0.15%, 0.19%

LAB 19.86, 3.58, 4.91

 

CMYK 0 / 19 / 26 / 58

HEX #6B574F

RGB 107 87 79

HSL 17.14, 0.15%, 0.36%

LAB 38.74, 6.86, 7.73

 

CMYK 12 / 0 / 26 / 59

HEX #5C694E

RGB 92 105 78

HSL 88.89, 0.15%, 0.36%

LAB 42.66, -10.35, 13.59

 

CMYK 26 / 23 / 0 / 59

HEX #4E5169

RGB 78 81 105

HSL 233.33, 0.15%, 0.36%

LAB 35.05, 4.71, -14.24

 

CMYK 0 / 19 / 26 / 58

HEX #6B574F

RGB 107 87 79

HSL 17.14, 0.15%, 0.36%

LAB 38.74, 6.86, 7.73

 

CMYK 26 / 0 / 19 / 59

HEX #4E6955

RGB 78 105 85

HSL 135.56, 0.15%, 0.36%

LAB 41.81, -14.47, 8.06

 

CMYK 19 / 26 / 0 / 59

HEX #554E69

RGB 85 78 105

HSL 255.56, 0.15%, 0.36%

LAB 34.8, 9.09, -14.57

 

CMYK 0 / 19 / 26 / 58

HEX #6B574F

RGB 107 87 79

HSL 17.14, 0.15%, 0.36%

LAB 38.74, 6.86, 7.73

 

CMYK 12 / 0 / 26 / 59

HEX #5C694E

RGB 92 105 78

HSL 88.89, 0.15%, 0.36%

LAB 42.66, -10.35, 13.59

 

CMYK 26 / 8 / 0 / 59

HEX #4E6169

RGB 78 97 105

HSL 197.78, 0.15%, 0.36%

LAB 39.9, -5.16, -6.92

 

CMYK 13 / 26 / 0 / 59

HEX #5B4E69

RGB 91 78 105

HSL 268.89, 0.15%, 0.36%

LAB 35.39, 11.27, -13.62

 

CMYK 0 / 19 / 26 / 58

HEX #6B574F

RGB 107 87 79

HSL 17.14, 0.15%, 0.36%

LAB 38.74, 6.86, 7.73

 

CMYK 21 / 0 / 26 / 59

HEX #53694E

RGB 83 105 78

HSL 108.89, 0.15%, 0.36%

LAB 41.99, -13.95, 12.56

 

CMYK 26 / 8 / 0 / 59

HEX #4E6169

RGB 78 97 105

HSL 197.78, 0.15%, 0.36%

LAB 39.9, -5.16, -6.92

 

CMYK 6 / 26 / 0 / 59

HEX #634E69

RGB 99 78 105

HSL 286.67, 0.15%, 0.36%

LAB 36.22, 14.23, -12.28

 

Description

Color code: CMYK 0 / 19 / 26 / 58 | qconv.com Color code: CMYK 0 / 19 / 26 / 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 87 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 87 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 26 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 26% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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