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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 18 / 26 / 41 it is the complementary color CMYK 27 / 8 / 0 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 18 / 26 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 18 / 26 / 41: CMYK 0 / 21 / 32 / 39, CMYK 0 / 18 / 27 / 33, CMYK 0 / 16 / 24 / 26, CMYK 0 / 14 / 21 / 19 and CMYK 0 / 13 / 18 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 18 / 26 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 18 / 26 / 41: CMYK 0 / 18 / 26 / 41, CMYK 0 / 21 / 31 / 48, CMYK 0 / 25 / 37 / 55, CMYK 0 / 30 / 45 / 61 and CMYK 0 / 38 / 57 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 26 / 41

HEX #967B6F

RGB 150 123 111

HSL 18.46, 0.16%, 0.51%

LAB 53.81, 8.53, 10.48

 

Complementary color

CMYK 27 / 8 / 0 / 44

HEX #698490

RGB 105 132 144

HSL 198.46, 0.16%, 0.49%

LAB 53.51, -6.7, -9.61

 

CMYK 0 / 21 / 32 / 39

HEX #9B7B6A

RGB 155 123 106

HSL 20.82, 0.2%, 0.51%

LAB 54.21, 9.85, 14.01

 

CMYK 0 / 18 / 27 / 33

HEX #AC8D7D

RGB 172 141 125

HSL 20.43, 0.22%, 0.58%

LAB 61.05, 9.24, 12.93

 

CMYK 0 / 16 / 24 / 26

HEX #BD9F90

RGB 189 159 144

HSL 20, 0.25%, 0.65%

LAB 67.75, 8.72, 11.94

 

CMYK 0 / 14 / 21 / 19

HEX #CEB1A3

RGB 206 177 163

HSL 19.53, 0.3%, 0.72%

LAB 74.32, 8.25, 11.02

 

CMYK 0 / 13 / 18 / 13

HEX #DFC3B6

RGB 223 195 182

HSL 19.02, 0.39%, 0.79%

LAB 80.79, 7.84, 10.16

 

CMYK 0 / 18 / 26 / 41

HEX #967B6F

RGB 150 123 111

HSL 18.46, 0.16%, 0.51%

LAB 53.81, 8.53, 10.48

 

CMYK 0 / 21 / 31 / 48

HEX #85695C

RGB 133 105 92

HSL 19.02, 0.18%, 0.44%

LAB 46.79, 9.14, 11.56

 

CMYK 0 / 25 / 37 / 55

HEX #745749

RGB 116 87 73

HSL 19.53, 0.23%, 0.37%

LAB 39.6, 9.88, 12.77

 

CMYK 0 / 30 / 45 / 61

HEX #634536

RGB 99 69 54

HSL 20, 0.29%, 0.3%

LAB 32.2, 10.8, 14.18

 

CMYK 0 / 38 / 57 / 68

HEX #523323

RGB 82 51 35

HSL 20.43, 0.4%, 0.23%

LAB 24.59, 12, 15.88

 

CMYK 0 / 18 / 26 / 41

HEX #967B6F

RGB 150 123 111

HSL 18.46, 0.16%, 0.51%

LAB 53.81, 8.53, 10.48

 

CMYK 0 / 15 / 27 / 41

HEX #96806E

RGB 150 128 110

HSL 27, 0.16%, 0.51%

LAB 55.12, 5.52, 12.89

 

CMYK 0 / 10 / 27 / 41

HEX #96876E

RGB 150 135 110

HSL 37.5, 0.16%, 0.51%

LAB 57.01, 1.56, 15.52

 

CMYK 0 / 5 / 27 / 41

HEX #968E6E

RGB 150 142 110

HSL 48, 0.16%, 0.51%

LAB 58.93, -2.35, 18.16

 

CMYK 0 / 1 / 27 / 41

HEX #96946E

RGB 150 148 110

HSL 57, 0.16%, 0.51%

LAB 60.6, -5.65, 20.42

 

CMYK 0 / 18 / 26 / 41

HEX #967B6F

RGB 150 123 111

HSL 18.46, 0.16%, 0.51%

LAB 53.81, 8.53, 10.48

 

CMYK 0 / 18 / 26 / 21

HEX #C9A595

RGB 201 165 149

HSL 18.46, 0.33%, 0.69%

LAB 70.52, 10.79, 13.25

 

CMYK 0 / 18 / 26 / 1

HEX #FCCFBA

RGB 252 207 186

HSL 19.09, 0.92%, 0.86%

LAB 86.44, 12.81, 16.39

 

CMYK 0 / 19 / 25 / 81

HEX #302724

RGB 48 39 36

HSL 15, 0.14%, 0.16%

LAB 16.54, 3.59, 3.54

 

CMYK 0 / 18 / 26 / 61

HEX #635149

RGB 99 81 73

HSL 18.46, 0.15%, 0.34%

LAB 36.02, 6.1, 7.51

 

CMYK 0 / 18 / 26 / 41

HEX #967B6F

RGB 150 123 111

HSL 18.46, 0.16%, 0.51%

LAB 53.81, 8.53, 10.48

 

CMYK 13 / 0 / 27 / 41

HEX #82966E

RGB 130 150 110

HSL 90, 0.16%, 0.51%

LAB 59.6, -14.63, 18.81

 

CMYK 27 / 24 / 0 / 41

HEX #6E7296

RGB 110 114 150

HSL 234, 0.16%, 0.51%

LAB 48.95, 6.93, -20.01

 

CMYK 0 / 18 / 26 / 41

HEX #967B6F

RGB 150 123 111

HSL 18.46, 0.16%, 0.51%

LAB 53.81, 8.53, 10.48

 

CMYK 27 / 0 / 19 / 41

HEX #6E967A

RGB 110 150 122

HSL 138, 0.16%, 0.51%

LAB 58.54, -19.74, 10.39

 

CMYK 19 / 27 / 0 / 41

HEX #7A6E96

RGB 122 110 150

HSL 258, 0.16%, 0.51%

LAB 48.87, 13.27, -20.04

 

CMYK 0 / 18 / 26 / 41

HEX #967B6F

RGB 150 123 111

HSL 18.46, 0.16%, 0.51%

LAB 53.81, 8.53, 10.48

 

CMYK 13 / 0 / 27 / 41

HEX #82966E

RGB 130 150 110

HSL 90, 0.16%, 0.51%

LAB 59.6, -14.63, 18.81

 

CMYK 27 / 8 / 0 / 41

HEX #6E8A96

RGB 110 138 150

HSL 198, 0.16%, 0.51%

LAB 55.78, -7.01, -9.65

 

CMYK 13 / 27 / 0 / 41

HEX #826E96

RGB 130 110 150

HSL 270, 0.16%, 0.51%

LAB 49.62, 15.98, -18.83

 

CMYK 0 / 18 / 26 / 41

HEX #967B6F

RGB 150 123 111

HSL 18.46, 0.16%, 0.51%

LAB 53.81, 8.53, 10.48

 

CMYK 21 / 0 / 27 / 41

HEX #76966E

RGB 118 150 110

HSL 108, 0.16%, 0.51%

LAB 58.78, -19.14, 17.55

 

CMYK 27 / 8 / 0 / 41

HEX #6E8A96

RGB 110 138 150

HSL 198, 0.16%, 0.51%

LAB 55.78, -7.01, -9.65

 

CMYK 5 / 27 / 0 / 41

HEX #8E6E96

RGB 142 110 150

HSL 288, 0.16%, 0.51%

LAB 50.81, 20.12, -16.9

 

Description

Color code: CMYK 0 / 18 / 26 / 41 | qconv.com Color code: CMYK 0 / 18 / 26 / 41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 123 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 123 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 26 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 26% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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