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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 15 / 22 / 50 it is the complementary color CMYK 19 / 6 / 0 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 15 / 22 / 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 15 / 22 / 50: CMYK 0 / 19 / 29 / 48, CMYK 0 / 16 / 25 / 41, CMYK 0 / 14 / 21 / 35, CMYK 0 / 12 / 18 / 28 and CMYK 0 / 10 / 15 / 21

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 15 / 22 / 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 15 / 22 / 50: CMYK 0 / 16 / 23 / 50, CMYK 0 / 19 / 28 / 56, CMYK 0 / 23 / 35 / 63, CMYK 0 / 30 / 45 / 70 and CMYK 0 / 40 / 62 / 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 22 / 50

HEX #806C63

RGB 128 108 99

HSL 18.62, 0.13%, 0.45%

LAB 47.26, 6.36, 7.96

 

Complementary color

CMYK 19 / 6 / 0 / 39

HEX #7F939C

RGB 127 147 156

HSL 198.62, 0.13%, 0.55%

LAB 59.69, -5.09, -7.14

 

CMYK 0 / 19 / 29 / 48

HEX #856C5E

RGB 133 108 94

HSL 21.54, 0.17%, 0.45%

LAB 47.65, 7.67, 11.56

 

CMYK 0 / 16 / 25 / 41

HEX #967E71

RGB 150 126 113

HSL 21.08, 0.15%, 0.52%

LAB 54.66, 7.11, 10.51

 

CMYK 0 / 14 / 21 / 35

HEX #A79084

RGB 167 144 132

HSL 20.57, 0.17%, 0.59%

LAB 61.51, 6.64, 9.55

 

CMYK 0 / 12 / 18 / 28

HEX #B8A297

RGB 184 162 151

HSL 20, 0.19%, 0.66%

LAB 68.22, 6.22, 8.66

 

CMYK 0 / 10 / 15 / 21

HEX #C9B4AA

RGB 201 180 170

HSL 19.35, 0.22%, 0.73%

LAB 74.8, 5.86, 7.83

 

CMYK 0 / 16 / 23 / 50

HEX #806C63

RGB 128 108 99

HSL 18.62, 0.13%, 0.45%

LAB 47.26, 6.36, 7.96

 

CMYK 0 / 19 / 28 / 56

HEX #6F5A50

RGB 111 90 80

HSL 19.35, 0.16%, 0.37%

LAB 40.03, 6.92, 9.01

 

CMYK 0 / 23 / 35 / 63

HEX #5E483D

RGB 94 72 61

HSL 20, 0.21%, 0.3%

LAB 32.59, 7.6, 10.19

 

CMYK 0 / 30 / 45 / 70

HEX #4D362A

RGB 77 54 42

HSL 20.57, 0.29%, 0.23%

LAB 24.9, 8.49, 11.6

 

CMYK 0 / 40 / 62 / 76

HEX #3C2417

RGB 60 36 23

HSL 21.08, 0.45%, 0.16%

LAB 16.91, 9.73, 13.36

 

CMYK 0 / 16 / 23 / 50

HEX #806C63

RGB 128 108 99

HSL 18.62, 0.13%, 0.45%

LAB 47.26, 6.36, 7.96

 

CMYK 0 / 12 / 23 / 49

HEX #817163

RGB 129 113 99

HSL 28, 0.13%, 0.45%

LAB 48.73, 3.85, 10.06

 

CMYK 0 / 9 / 23 / 49

HEX #817663

RGB 129 118 99

HSL 38, 0.13%, 0.45%

LAB 50.13, 0.95, 12.01

 

CMYK 0 / 5 / 23 / 49

HEX #817B63

RGB 129 123 99

HSL 48, 0.13%, 0.45%

LAB 51.54, -1.92, 13.97

 

CMYK 0 / 1 / 23 / 49

HEX #818063

RGB 129 128 99

HSL 58, 0.13%, 0.45%

LAB 52.96, -4.75, 15.93

 

CMYK 0 / 16 / 23 / 50

HEX #806C63

RGB 128 108 99

HSL 18.62, 0.13%, 0.45%

LAB 47.26, 6.36, 7.96

 

CMYK 0 / 16 / 23 / 30

HEX #B3978A

RGB 179 151 138

HSL 19.02, 0.21%, 0.62%

LAB 64.61, 8.35, 10.72

 

CMYK 0 / 16 / 23 / 10

HEX #E6C2B2

RGB 230 194 178

HSL 18.46, 0.51%, 0.8%

LAB 81.08, 10.36, 12.8

 

CMYK 0 / 15 / 23 / 90

HEX #1A1614

RGB 26 22 20

HSL 20, 0.13%, 0.09%

LAB 7.62, 1.52, 1.98

 

CMYK 0 / 16 / 22 / 70

HEX #4D413C

RGB 77 65 60

HSL 17.65, 0.12%, 0.27%

LAB 28.6, 4.22, 4.96

 

CMYK 0 / 16 / 23 / 50

HEX #806C63

RGB 128 108 99

HSL 18.62, 0.13%, 0.45%

LAB 47.26, 6.36, 7.96

 

CMYK 12 / 0 / 23 / 49

HEX #728163

RGB 114 129 99

HSL 90, 0.13%, 0.45%

LAB 52.04, -11.33, 14.47

 

CMYK 23 / 21 / 0 / 49

HEX #636681

RGB 99 102 129

HSL 234, 0.13%, 0.45%

LAB 43.86, 5.16, -15.37

 

CMYK 0 / 16 / 23 / 50

HEX #806C63

RGB 128 108 99

HSL 18.62, 0.13%, 0.45%

LAB 47.26, 6.36, 7.96

 

CMYK 23 / 0 / 16 / 49

HEX #63816C

RGB 99 129 108

HSL 138, 0.13%, 0.45%

LAB 51.19, -15.27, 7.92

 

CMYK 16 / 23 / 0 / 49

HEX #6C6381

RGB 108 99 129

HSL 258, 0.13%, 0.45%

LAB 43.79, 10.09, -15.4

 

CMYK 0 / 16 / 23 / 50

HEX #806C63

RGB 128 108 99

HSL 18.62, 0.13%, 0.45%

LAB 47.26, 6.36, 7.96

 

CMYK 12 / 0 / 23 / 49

HEX #728163

RGB 114 129 99

HSL 90, 0.13%, 0.45%

LAB 52.04, -11.33, 14.47

 

CMYK 23 / 7 / 0 / 49

HEX #637881

RGB 99 120 129

HSL 198, 0.13%, 0.45%

LAB 49.09, -5.51, -7.47

 

CMYK 12 / 23 / 0 / 49

HEX #726381

RGB 114 99 129

HSL 270, 0.13%, 0.45%

LAB 44.36, 12.21, -14.49

 

CMYK 0 / 16 / 23 / 50

HEX #806C63

RGB 128 108 99

HSL 18.62, 0.13%, 0.45%

LAB 47.26, 6.36, 7.96

 

CMYK 19 / 0 / 23 / 49

HEX #698163

RGB 105 129 99

HSL 108, 0.13%, 0.45%

LAB 51.39, -14.8, 13.47

 

CMYK 23 / 7 / 0 / 49

HEX #637881

RGB 99 120 129

HSL 198, 0.13%, 0.45%

LAB 49.09, -5.51, -7.47

 

CMYK 5 / 23 / 0 / 49

HEX #7B6381

RGB 123 99 129

HSL 288, 0.13%, 0.45%

LAB 45.25, 15.45, -13.05

 

Description

Color code: CMYK 0 / 15 / 22 / 50 | qconv.com Color code: CMYK 0 / 15 / 22 / 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 108 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 108 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 22 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 22% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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