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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 15 / 0 / 22 it is the complementary color CMYK 35 / 0 / 35 / 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 15 / 0 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 15 / 0 / 22: CMYK 0 / 17 / 5 / 20, CMYK 0 / 15 / 4 / 13, CMYK 0 / 14 / 3 / 7, CMYK 0 / 13 / 2 / 0 and CMYK 0 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 15 / 0 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 15 / 0 / 22: CMYK 0 / 15 / 0 / 22, CMYK 0 / 17 / 1 / 29, CMYK 0 / 19 / 2 / 35, CMYK 0 / 22 / 4 / 42 and CMYK 0 / 26 / 6 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 0 / 22

HEX #C7A9C7

RGB 199 169 199

HSL 300, 0.21%, 0.72%

LAB 72.66, 16.18, -11.22

 

Complementary color

CMYK 35 / 0 / 35 / 66

HEX #385638

RGB 56 86 56

HSL 120, 0.21%, 0.28%

LAB 33.52, -18.07, 14.03

 

CMYK 0 / 17 / 5 / 20

HEX #CCA9C2

RGB 204 169 194

HSL 317.14, 0.26%, 0.73%

LAB 72.96, 16.99, -7.97

 

CMYK 0 / 15 / 4 / 13

HEX #DDBBD5

RGB 221 187 213

HSL 314.12, 0.33%, 0.8%

LAB 79.45, 16.53, -8.5

 

CMYK 0 / 14 / 3 / 7

HEX #EECDE8

RGB 238 205 232

HSL 310.91, 0.49%, 0.87%

LAB 85.84, 16.11, -9.02

 

CMYK 0 / 13 / 2 / 0

HEX #FFDFFB

RGB 255 223 251

HSL 307.5, 1%, 0.94%

LAB 92.13, 15.71, -9.53

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 15 / 0 / 22

HEX #C7A9C7

RGB 199 169 199

HSL 300, 0.21%, 0.72%

LAB 72.66, 16.18, -11.22

 

CMYK 0 / 17 / 1 / 29

HEX #B697B4

RGB 182 151 180

HSL 303.87, 0.18%, 0.65%

LAB 66.04, 16.64, -10.74

 

CMYK 0 / 19 / 2 / 35

HEX #A585A1

RGB 165 133 161

HSL 307.5, 0.15%, 0.58%

LAB 59.29, 17.16, -10.25

 

CMYK 0 / 22 / 4 / 42

HEX #94738E

RGB 148 115 142

HSL 310.91, 0.13%, 0.52%

LAB 52.41, 17.73, -9.73

 

CMYK 0 / 26 / 6 / 49

HEX #83617B

RGB 131 97 123

HSL 314.12, 0.15%, 0.45%

LAB 45.37, 18.36, -9.18

 

CMYK 0 / 15 / 0 / 22

HEX #C7A9C7

RGB 199 169 199

HSL 300, 0.21%, 0.72%

LAB 72.66, 16.18, -11.22

 

CMYK 0 / 15 / 3 / 22

HEX #C6A8C1

RGB 198 168 193

HSL 310, 0.21%, 0.72%

LAB 72.14, 15.26, -8.71

 

CMYK 0 / 15 / 5 / 22

HEX #C6A8BC

RGB 198 168 188

HSL 320, 0.21%, 0.72%

LAB 71.99, 14.35, -6.17

 

CMYK 0 / 15 / 8 / 22

HEX #C6A8B7

RGB 198 168 183

HSL 330, 0.21%, 0.72%

LAB 71.85, 13.46, -3.63

 

CMYK 0 / 15 / 10 / 22

HEX #C6A8B2

RGB 198 168 178

HSL 340, 0.21%, 0.72%

LAB 71.71, 12.59, -1.07

 

CMYK 0 / 15 / 0 / 22

HEX #C7A9C7

RGB 199 169 199

HSL 300, 0.21%, 0.72%

LAB 72.66, 16.18, -11.22

 

CMYK 0 / 15 / 0 / 2

HEX #FAD4FA

RGB 250 212 250

HSL 300, 0.79%, 0.91%

LAB 89.07, 19.63, -13.61

 

CMYK 0 / 15 / 0 / 82

HEX #2E272E

RGB 46 39 46

HSL 300, 0.08%, 0.17%

LAB 16.65, 4.85, -3.38

 

CMYK 0 / 15 / 0 / 62

HEX #615261

RGB 97 82 97

HSL 300, 0.08%, 0.35%

LAB 36.82, 9.21, -6.4

 

CMYK 0 / 15 / 0 / 42

HEX #947E94

RGB 148 126 148

HSL 300, 0.09%, 0.54%

LAB 55.44, 12.52, -8.7

 

CMYK 0 / 15 / 0 / 22

HEX #C7A9C7

RGB 199 169 199

HSL 300, 0.21%, 0.72%

LAB 72.66, 16.18, -11.22

 

CMYK 0 / 12 / 15 / 22

HEX #C6AEA8

RGB 198 174 168

HSL 12, 0.21%, 0.72%

LAB 72.96, 7.66, 6.24

 

CMYK 15 / 0 / 6 / 22

HEX #A8C6BA

RGB 168 198 186

HSL 156, 0.21%, 0.72%

LAB 77.43, -12.45, 2.63

 

CMYK 0 / 15 / 0 / 22

HEX #C7A9C7

RGB 199 169 199

HSL 300, 0.21%, 0.72%

LAB 72.66, 16.18, -11.22

 

CMYK 0 / 0 / 15 / 22

HEX #C6C6A8

RGB 198 198 168

HSL 60, 0.21%, 0.72%

LAB 79.17, -5.11, 15.06

 

CMYK 15 / 0 / 0 / 22

HEX #A8C6C6

RGB 168 198 198

HSL 180, 0.21%, 0.72%

LAB 77.75, -10.02, -3.38

 

CMYK 0 / 15 / 0 / 22

HEX #C7A9C7

RGB 199 169 199

HSL 300, 0.21%, 0.72%

LAB 72.66, 16.18, -11.22

 

CMYK 0 / 12 / 15 / 22

HEX #C6AEA8

RGB 198 174 168

HSL 12, 0.21%, 0.72%

LAB 72.96, 7.66, 6.24

 

CMYK 15 / 0 / 15 / 22

HEX #A8C6A8

RGB 168 198 168

HSL 120, 0.21%, 0.72%

LAB 77.01, -15.83, 11.7

 

CMYK 15 / 3 / 0 / 22

HEX #A8C0C6

RGB 168 192 198

HSL 192, 0.21%, 0.72%

LAB 76.13, -6.87, -5.77

 

CMYK 0 / 15 / 0 / 22

HEX #C7A9C7

RGB 199 169 199

HSL 300, 0.21%, 0.72%

LAB 72.66, 16.18, -11.22

 

CMYK 0 / 8 / 15 / 22

HEX #C6B7A8

RGB 198 183 168

HSL 30, 0.21%, 0.72%

LAB 75.26, 2.82, 9.54

 

CMYK 15 / 0 / 15 / 22

HEX #A8C6A8

RGB 168 198 168

HSL 120, 0.21%, 0.72%

LAB 77.01, -15.83, 11.7

 

CMYK 15 / 8 / 0 / 22

HEX #A8B7C6

RGB 168 183 198

HSL 210, 0.21%, 0.72%

LAB 73.72, -2.07, -9.35

 

Description

Color code: CMYK 0 / 15 / 0 / 22 | qconv.com Color code: CMYK 0 / 15 / 0 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 169 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 169 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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