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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 14 / 20 / 28 it is the complementary color CMYK 34 / 10 / 0 / 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 14 / 20 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 14 / 20 / 28: CMYK 0 / 16 / 25 / 26, CMYK 0 / 15 / 22 / 19, CMYK 0 / 13 / 19 / 13, CMYK 0 / 12 / 17 / 6 and CMYK 0 / 10 / 15 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 14 / 20 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 14 / 20 / 28: CMYK 0 / 14 / 20 / 28, CMYK 0 / 16 / 23 / 35, CMYK 0 / 19 / 27 / 41, CMYK 0 / 22 / 32 / 48 and CMYK 0 / 26 / 39 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 20 / 28

HEX #B89E93

RGB 184 158 147

HSL 17.84, 0.21%, 0.65%

LAB 67.09, 7.79, 9.28

 

Complementary color

CMYK 34 / 10 / 0 / 58

HEX #47616C

RGB 71 97 108

HSL 197.84, 0.21%, 0.35%

LAB 39.53, -6.67, -9.35

 

CMYK 0 / 16 / 25 / 26

HEX #BD9E8E

RGB 189 158 142

HSL 20.43, 0.26%, 0.65%

LAB 67.45, 8.97, 12.63

 

CMYK 0 / 15 / 22 / 19

HEX #CEB0A1

RGB 206 176 161

HSL 20, 0.31%, 0.72%

LAB 74.03, 8.49, 11.69

 

CMYK 0 / 13 / 19 / 13

HEX #DFC2B4

RGB 223 194 180

HSL 19.53, 0.4%, 0.79%

LAB 80.5, 8.07, 10.81

 

CMYK 0 / 12 / 17 / 6

HEX #F0D4C7

RGB 240 212 199

HSL 19.02, 0.58%, 0.86%

LAB 86.87, 7.68, 9.98

 

CMYK 0 / 10 / 15 / 0

HEX #FFE6DA

RGB 255 230 218

HSL 19.46, 1%, 0.93%

LAB 92.98, 6.63, 8.94

 

CMYK 0 / 14 / 20 / 28

HEX #B89E93

RGB 184 158 147

HSL 17.84, 0.21%, 0.65%

LAB 67.09, 7.79, 9.28

 

CMYK 0 / 16 / 23 / 35

HEX #A78C80

RGB 167 140 128

HSL 18.46, 0.18%, 0.58%

LAB 60.36, 8.26, 10.2

 

CMYK 0 / 19 / 27 / 41

HEX #967A6D

RGB 150 122 109

HSL 19.02, 0.16%, 0.51%

LAB 53.5, 8.8, 11.2

 

CMYK 0 / 22 / 32 / 48

HEX #85685A

RGB 133 104 90

HSL 19.53, 0.19%, 0.44%

LAB 46.48, 9.44, 12.31

 

CMYK 0 / 26 / 39 / 55

HEX #745647

RGB 116 86 71

HSL 20, 0.24%, 0.37%

LAB 39.28, 10.21, 13.56

 

CMYK 0 / 14 / 20 / 28

HEX #B89E93

RGB 184 158 147

HSL 17.84, 0.21%, 0.65%

LAB 67.09, 7.79, 9.28

 

CMYK 0 / 11 / 20 / 28

HEX #B8A393

RGB 184 163 147

HSL 25.95, 0.21%, 0.65%

LAB 68.38, 5.05, 11.11

 

CMYK 0 / 8 / 20 / 28

HEX #B8AA93

RGB 184 170 147

HSL 37.3, 0.21%, 0.65%

LAB 70.21, 1.25, 13.69

 

CMYK 0 / 4 / 20 / 28

HEX #B8B093

RGB 184 176 147

HSL 47.03, 0.21%, 0.65%

LAB 71.79, -1.97, 15.9

 

CMYK 0 / 1 / 20 / 28

HEX #B8B693

RGB 184 182 147

HSL 56.76, 0.21%, 0.65%

LAB 73.38, -5.16, 18.12

 

CMYK 0 / 14 / 20 / 28

HEX #B89E93

RGB 184 158 147

HSL 17.84, 0.21%, 0.65%

LAB 67.09, 7.79, 9.28

 

CMYK 0 / 14 / 20 / 8

HEX #EBCABC

RGB 235 202 188

HSL 17.87, 0.54%, 0.83%

LAB 83.72, 9.45, 11.27

 

CMYK 0 / 13 / 19 / 88

HEX #1F1B19

RGB 31 27 25

HSL 20, 0.11%, 0.11%

LAB 10.15, 1.49, 2.1

 

CMYK 0 / 15 / 20 / 68

HEX #524642

RGB 82 70 66

HSL 15, 0.11%, 0.29%

LAB 30.8, 4.33, 4.28

 

CMYK 0 / 14 / 20 / 48

HEX #85726A

RGB 133 114 106

HSL 17.78, 0.11%, 0.47%

LAB 49.57, 6.04, 7.17

 

CMYK 0 / 14 / 20 / 28

HEX #B89E93

RGB 184 158 147

HSL 17.84, 0.21%, 0.65%

LAB 67.09, 7.79, 9.28

 

CMYK 10 / 0 / 20 / 28

HEX #A6B893

RGB 166 184 147

HSL 89.19, 0.21%, 0.65%

LAB 72.56, -12.94, 16.76

 

CMYK 20 / 18 / 0 / 28

HEX #9397B8

RGB 147 151 184

HSL 233.51, 0.21%, 0.65%

LAB 63.17, 5.66, -17.6

 

CMYK 0 / 14 / 20 / 28

HEX #B89E93

RGB 184 158 147

HSL 17.84, 0.21%, 0.65%

LAB 67.09, 7.79, 9.28

 

CMYK 20 / 0 / 15 / 28

HEX #93B89D

RGB 147 184 157

HSL 136.22, 0.21%, 0.65%

LAB 71.5, -17.89, 9.65

 

CMYK 15 / 20 / 0 / 28

HEX #9D93B8

RGB 157 147 184

HSL 256.22, 0.21%, 0.65%

LAB 62.92, 11.2, -17.9

 

CMYK 0 / 14 / 20 / 28

HEX #B89E93

RGB 184 158 147

HSL 17.84, 0.21%, 0.65%

LAB 67.09, 7.79, 9.28

 

CMYK 10 / 0 / 20 / 28

HEX #A6B893

RGB 166 184 147

HSL 89.19, 0.21%, 0.65%

LAB 72.56, -12.94, 16.76

 

CMYK 20 / 6 / 0 / 28

HEX #93ADB8

RGB 147 173 184

HSL 197.84, 0.21%, 0.65%

LAB 69.15, -6.51, -8.62

 

CMYK 10 / 20 / 0 / 28

HEX #A593B8

RGB 165 147 184

HSL 269.19, 0.21%, 0.65%

LAB 63.61, 13.86, -16.79

 

CMYK 0 / 14 / 20 / 28

HEX #B89E93

RGB 184 158 147

HSL 17.84, 0.21%, 0.65%

LAB 67.09, 7.79, 9.28

 

CMYK 16 / 0 / 20 / 28

HEX #9BB893

RGB 155 184 147

HSL 107.03, 0.21%, 0.65%

LAB 71.8, -16.92, 15.58

 

CMYK 20 / 6 / 0 / 28

HEX #93ADB8

RGB 147 173 184

HSL 197.84, 0.21%, 0.65%

LAB 69.15, -6.51, -8.62

 

CMYK 4 / 20 / 0 / 28

HEX #B093B8

RGB 176 147 184

HSL 287.03, 0.21%, 0.65%

LAB 64.61, 17.59, -15.19

 

Description

Color code: CMYK 0 / 14 / 20 / 28 | qconv.com Color code: CMYK 0 / 14 / 20 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 158 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 158 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 20 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 20% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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