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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 12 / 17 / 28 it is the complementary color CMYK 31 / 10 / 0 / 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 12 / 17 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 12 / 17 / 28: CMYK 0 / 14 / 22 / 26, CMYK 0 / 13 / 19 / 19, CMYK 0 / 11 / 17 / 13, CMYK 0 / 10 / 15 / 6 and CMYK 0 / 8 / 13 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 12 / 17 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 12 / 17 / 28: CMYK 0 / 12 / 17 / 28, CMYK 0 / 14 / 20 / 35, CMYK 0 / 16 / 24 / 41, CMYK 0 / 19 / 29 / 48 and CMYK 0 / 22 / 34 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 17 / 28

HEX #B8A298

RGB 184 162 152

HSL 18.75, 0.18%, 0.66%

LAB 68.24, 6.38, 8.14

 

Complementary color

CMYK 31 / 10 / 0 / 60

HEX #475D67

RGB 71 93 103

HSL 198.75, 0.18%, 0.34%

LAB 38.11, -5.65, -8.42

 

CMYK 0 / 14 / 22 / 26

HEX #BDA293

RGB 189 162 147

HSL 21.43, 0.24%, 0.66%

LAB 68.58, 7.52, 11.46

 

CMYK 0 / 13 / 19 / 19

HEX #CEB4A6

RGB 206 180 166

HSL 21, 0.29%, 0.73%

LAB 75.15, 7.09, 10.56

 

CMYK 0 / 11 / 17 / 13

HEX #DFC6B9

RGB 223 198 185

HSL 20.53, 0.37%, 0.8%

LAB 81.61, 6.71, 9.72

 

CMYK 0 / 10 / 15 / 6

HEX #F0D8CC

RGB 240 216 204

HSL 20, 0.55%, 0.87%

LAB 87.97, 6.37, 8.92

 

CMYK 0 / 8 / 13 / 0

HEX #FFEADF

RGB 255 234 223

HSL 20.63, 1%, 0.94%

LAB 94.07, 5.35, 7.9

 

CMYK 0 / 12 / 17 / 28

HEX #B8A298

RGB 184 162 152

HSL 18.75, 0.18%, 0.66%

LAB 68.24, 6.38, 8.14

 

CMYK 0 / 14 / 20 / 35

HEX #A79085

RGB 167 144 133

HSL 19.41, 0.16%, 0.59%

LAB 61.53, 6.8, 9.01

 

CMYK 0 / 16 / 24 / 41

HEX #967E72

RGB 150 126 114

HSL 20, 0.15%, 0.52%

LAB 54.68, 7.27, 9.96

 

CMYK 0 / 19 / 29 / 48

HEX #856C5F

RGB 133 108 95

HSL 20.53, 0.17%, 0.45%

LAB 47.67, 7.82, 11

 

CMYK 0 / 22 / 34 / 55

HEX #745A4C

RGB 116 90 76

HSL 21, 0.21%, 0.38%

LAB 40.49, 8.49, 12.17

 

CMYK 0 / 12 / 17 / 28

HEX #B8A298

RGB 184 162 152

HSL 18.75, 0.18%, 0.66%

LAB 68.24, 6.38, 8.14

 

CMYK 0 / 9 / 17 / 28

HEX #B7A798

RGB 183 167 152

HSL 29.03, 0.18%, 0.66%

LAB 69.45, 3.28, 9.85

 

CMYK 0 / 6 / 17 / 28

HEX #B7AC98

RGB 183 172 152

HSL 38.71, 0.18%, 0.66%

LAB 70.76, 0.57, 11.71

 

CMYK 0 / 3 / 17 / 28

HEX #B7B198

RGB 183 177 152

HSL 48.39, 0.18%, 0.66%

LAB 72.08, -2.12, 13.57

 

CMYK 0 / 1 / 17 / 28

HEX #B7B698

RGB 183 182 152

HSL 58.06, 0.18%, 0.66%

LAB 73.41, -4.78, 15.43

 

CMYK 0 / 12 / 17 / 28

HEX #B8A298

RGB 184 162 152

HSL 18.75, 0.18%, 0.66%

LAB 68.24, 6.38, 8.14

 

CMYK 0 / 12 / 17 / 8

HEX #EBCFC2

RGB 235 207 194

HSL 19.02, 0.51%, 0.84%

LAB 85.09, 7.73, 10.03

 

CMYK 0 / 13 / 16 / 88

HEX #1F1B1A

RGB 31 27 26

HSL 12, 0.09%, 0.11%

LAB 10.18, 1.72, 1.4

 

CMYK 0 / 12 / 17 / 68

HEX #524844

RGB 82 72 68

HSL 17.14, 0.09%, 0.29%

LAB 31.45, 3.44, 3.93

 

CMYK 0 / 12 / 17 / 48

HEX #85756E

RGB 133 117 110

HSL 18.26, 0.09%, 0.48%

LAB 50.49, 4.97, 6.12

 

CMYK 0 / 12 / 17 / 28

HEX #B8A298

RGB 184 162 152

HSL 18.75, 0.18%, 0.66%

LAB 68.24, 6.38, 8.14

 

CMYK 8 / 0 / 17 / 28

HEX #A8B798

RGB 168 183 152

HSL 89.03, 0.18%, 0.66%

LAB 72.53, -10.86, 14.04

 

CMYK 17 / 15 / 0 / 28

HEX #989BB7

RGB 152 155 183

HSL 234.19, 0.18%, 0.66%

LAB 64.59, 4.81, -14.85

 

CMYK 0 / 12 / 17 / 28

HEX #B8A298

RGB 184 162 152

HSL 18.75, 0.18%, 0.66%

LAB 68.24, 6.38, 8.14

 

CMYK 17 / 0 / 11 / 28

HEX #98B7A2

RGB 152 183 162

HSL 139.35, 0.18%, 0.66%

LAB 71.66, -14.72, 7.19

 

CMYK 11 / 17 / 0 / 28

HEX #A298B7

RGB 162 152 183

HSL 259.35, 0.18%, 0.66%

LAB 64.61, 9.82, -14.75

 

CMYK 0 / 12 / 17 / 28

HEX #B8A298

RGB 184 162 152

HSL 18.75, 0.18%, 0.66%

LAB 68.24, 6.38, 8.14

 

CMYK 8 / 0 / 17 / 28

HEX #A8B798

RGB 168 183 152

HSL 89.03, 0.18%, 0.66%

LAB 72.53, -10.86, 14.04

 

CMYK 17 / 5 / 0 / 28

HEX #98AEB7

RGB 152 174 183

HSL 197.42, 0.18%, 0.66%

LAB 69.73, -5.66, -7.17

 

CMYK 8 / 17 / 0 / 28

HEX #A898B7

RGB 168 152 183

HSL 270.97, 0.18%, 0.66%

LAB 65.12, 11.85, -13.93

 

CMYK 0 / 12 / 17 / 28

HEX #B8A298

RGB 184 162 152

HSL 18.75, 0.18%, 0.66%

LAB 68.24, 6.38, 8.14

 

CMYK 14 / 0 / 17 / 28

HEX #9EB798

RGB 158 183 152

HSL 108.39, 0.18%, 0.66%

LAB 71.83, -14.47, 12.94

 

CMYK 17 / 5 / 0 / 28

HEX #98AEB7

RGB 152 174 183

HSL 197.42, 0.18%, 0.66%

LAB 69.73, -5.66, -7.17

 

CMYK 3 / 17 / 0 / 28

HEX #B198B7

RGB 177 152 183

HSL 288.39, 0.18%, 0.66%

LAB 65.92, 14.93, -12.64

 

Description

Color code: CMYK 0 / 12 / 17 / 28 | qconv.com Color code: CMYK 0 / 12 / 17 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 162 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 162 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 17 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 17% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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