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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 11 / 10 / 53 it is the complementary color CMYK 9 / 0 / 1 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 11 / 10 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 11 / 10 / 53: CMYK 0 / 14 / 18 / 51, CMYK 0 / 12 / 14 / 44, CMYK 0 / 10 / 11 / 38, CMYK 0 / 9 / 9 / 31 and CMYK 0 / 7 / 7 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 11 / 10 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 11 / 10 / 53: CMYK 0 / 11 / 10 / 53, CMYK 0 / 14 / 14 / 60, CMYK 0 / 17 / 19 / 66, CMYK 0 / 23 / 26 / 73 and CMYK 0 / 33 / 38 / 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 10 / 53

HEX #786B6C

RGB 120 107 108

HSL 355.38, 0.06%, 0.45%

LAB 46.43, 5.29, 1.3

 

Complementary color

CMYK 9 / 0 / 1 / 42

HEX #879493

RGB 135 148 147

HSL 175.38, 0.06%, 0.55%

LAB 60.28, -4.86, -1.08

 

CMYK 0 / 14 / 18 / 51

HEX #7D6B67

RGB 125 107 103

HSL 10.91, 0.1%, 0.45%

LAB 46.78, 6.4, 4.86

 

CMYK 0 / 12 / 14 / 44

HEX #8E7D7A

RGB 142 125 122

HSL 9, 0.08%, 0.52%

LAB 53.84, 5.97, 4.01

 

CMYK 0 / 10 / 11 / 38

HEX #9F8F8D

RGB 159 143 141

HSL 6.67, 0.09%, 0.59%

LAB 60.73, 5.61, 3.23

 

CMYK 0 / 9 / 9 / 31

HEX #B0A1A0

RGB 176 161 160

HSL 3.75, 0.09%, 0.66%

LAB 67.47, 5.28, 2.49

 

CMYK 0 / 7 / 7 / 24

HEX #C1B3B3

RGB 193 179 179

HSL 0, 0.1%, 0.73%

LAB 74.08, 4.98, 1.79

 

CMYK 0 / 11 / 10 / 53

HEX #786B6C

RGB 120 107 108

HSL 355.38, 0.06%, 0.45%

LAB 46.43, 5.29, 1.3

 

CMYK 0 / 14 / 14 / 60

HEX #675959

RGB 103 89 89

HSL 0, 0.07%, 0.38%

LAB 39.16, 5.69, 2.09

 

CMYK 0 / 17 / 19 / 66

HEX #564746

RGB 86 71 70

HSL 3.75, 0.1%, 0.31%

LAB 31.64, 6.18, 2.98

 

CMYK 0 / 23 / 26 / 73

HEX #453533

RGB 69 53 51

HSL 6.67, 0.15%, 0.24%

LAB 23.84, 6.79, 3.99

 

CMYK 0 / 33 / 38 / 80

HEX #342320

RGB 52 35 32

HSL 9, 0.24%, 0.16%

LAB 15.68, 7.62, 5.23

 

CMYK 0 / 11 / 10 / 53

HEX #786B6C

RGB 120 107 108

HSL 355.38, 0.06%, 0.45%

LAB 46.43, 5.29, 1.3

 

CMYK 0 / 10 / 12 / 53

HEX #796D6B

RGB 121 109 107

HSL 8.57, 0.06%, 0.45%

LAB 47.06, 4.32, 2.82

 

CMYK 0 / 8 / 12 / 53

HEX #796F6B

RGB 121 111 107

HSL 17.14, 0.06%, 0.45%

LAB 47.62, 3.14, 3.62

 

CMYK 0 / 7 / 12 / 53

HEX #79716B

RGB 121 113 107

HSL 25.71, 0.06%, 0.45%

LAB 48.18, 1.97, 4.43

 

CMYK 0 / 5 / 12 / 53

HEX #79736B

RGB 121 115 107

HSL 34.29, 0.06%, 0.45%

LAB 48.75, 0.8, 5.24

 

CMYK 0 / 11 / 10 / 53

HEX #786B6C

RGB 120 107 108

HSL 355.38, 0.06%, 0.45%

LAB 46.43, 5.29, 1.3

 

CMYK 0 / 11 / 10 / 33

HEX #AB989A

RGB 171 152 154

HSL 353.68, 0.1%, 0.63%

LAB 64.52, 7.36, 1.51

 

CMYK 0 / 11 / 10 / 13

HEX #DEC6C8

RGB 222 198 200

HSL 355, 0.27%, 0.82%

LAB 81.89, 8.76, 2.08

 

CMYK 0 / 11 / 11 / 93

HEX #121010

RGB 18 16 16

HSL 0, 0.06%, 0.07%

LAB 4.85, 0.75, 0.26

 

CMYK 0 / 10 / 10 / 73

HEX #453E3E

RGB 69 62 62

HSL 0, 0.05%, 0.26%

LAB 26.9, 3.01, 1.09

 

CMYK 0 / 11 / 10 / 53

HEX #786B6C

RGB 120 107 108

HSL 355.38, 0.06%, 0.45%

LAB 46.43, 5.29, 1.3

 

CMYK 1 / 0 / 12 / 53

HEX #78796B

RGB 120 121 107

HSL 64.29, 0.06%, 0.45%

LAB 50.37, -3.06, 7.55

 

CMYK 12 / 6 / 0 / 53

HEX #6B7279

RGB 107 114 121

HSL 210, 0.06%, 0.45%

LAB 47.68, -1.11, -4.77

 

CMYK 0 / 11 / 10 / 53

HEX #786B6C

RGB 120 107 108

HSL 355.38, 0.06%, 0.45%

LAB 46.43, 5.29, 1.3

 

CMYK 10 / 0 / 12 / 53

HEX #6D796B

RGB 109 121 107

HSL 111.43, 0.06%, 0.45%

LAB 49.48, -7.34, 6.16

 

CMYK 12 / 10 / 0 / 53

HEX #6B6D79

RGB 107 109 121

HSL 231.43, 0.06%, 0.45%

LAB 46.24, 1.84, -6.92

 

CMYK 0 / 11 / 10 / 53

HEX #786B6C

RGB 120 107 108

HSL 355.38, 0.06%, 0.45%

LAB 46.43, 5.29, 1.3

 

CMYK 1 / 0 / 12 / 53

HEX #78796B

RGB 120 121 107

HSL 64.29, 0.06%, 0.45%

LAB 50.37, -3.06, 7.55

 

CMYK 12 / 0 / 1 / 53

HEX #6B7978

RGB 107 121 120

HSL 175.71, 0.06%, 0.45%

LAB 49.69, -5.39, -1.22

 

CMYK 10 / 12 / 0 / 53

HEX #6D6B79

RGB 109 107 121

HSL 248.57, 0.06%, 0.45%

LAB 45.83, 3.76, -7.5

 

CMYK 0 / 11 / 10 / 53

HEX #786B6C

RGB 120 107 108

HSL 355.38, 0.06%, 0.45%

LAB 46.43, 5.29, 1.3

 

CMYK 5 / 0 / 12 / 53

HEX #73796B

RGB 115 121 107

HSL 85.71, 0.06%, 0.45%

LAB 49.96, -5.02, 6.91

 

CMYK 12 / 0 / 1 / 53

HEX #6B7978

RGB 107 121 120

HSL 175.71, 0.06%, 0.45%

LAB 49.69, -5.39, -1.22

 

CMYK 7 / 12 / 0 / 53

HEX #716B79

RGB 113 107 121

HSL 265.71, 0.06%, 0.45%

LAB 46.19, 5.24, -6.93

 

Description

Color code: CMYK 0 / 11 / 10 / 53 | qconv.com Color code: CMYK 0 / 11 / 10 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 107 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 107 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 10 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 10% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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