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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 10 / 40 / 70 it is the complementary color CMYK 15 / 11 / 0 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 10 / 40 / 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 10 / 40 / 70: CMYK 0 / 16 / 50 / 68, CMYK 0 / 12 / 39 / 61, CMYK 0 / 9 / 32 / 55, CMYK 0 / 8 / 26 / 48 and CMYK 0 / 6 / 22 / 41

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 10 / 40 / 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 10 / 40 / 70: CMYK 0 / 10 / 40 / 70, CMYK 0 / 15 / 55 / 76, CMYK 0 / 23 / 81 / 83, CMYK 0 / 42 / 100 / 90 and CMYK 0 / 100 / 100 / 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 40 / 70

HEX #4D452E

RGB 77 69 46

HSL 44.52, 0.25%, 0.24%

LAB 29.49, -0.58, 15.15

 

Complementary color

CMYK 15 / 11 / 0 / 18

HEX #B2BAD1

RGB 178 186 209

HSL 224.52, 0.25%, 0.76%

LAB 75.57, 1.9, -12.5

 

CMYK 0 / 16 / 50 / 68

HEX #524529

RGB 82 69 41

HSL 40.98, 0.33%, 0.24%

LAB 29.94, 1.17, 18.93

 

CMYK 0 / 12 / 39 / 61

HEX #63573C

RGB 99 87 60

HSL 41.54, 0.25%, 0.31%

LAB 37.47, 0.49, 17.5

 

CMYK 0 / 9 / 32 / 55

HEX #74694F

RGB 116 105 79

HSL 42.16, 0.19%, 0.38%

LAB 44.77, -0.02, 16.22

 

CMYK 0 / 8 / 26 / 48

HEX #857B62

RGB 133 123 98

HSL 42.86, 0.15%, 0.45%

LAB 51.88, -0.42, 15.08

 

CMYK 0 / 6 / 22 / 41

HEX #968D75

RGB 150 141 117

HSL 43.64, 0.14%, 0.52%

LAB 58.81, -0.75, 14.03

 

CMYK 0 / 10 / 40 / 70

HEX #4D452E

RGB 77 69 46

HSL 44.52, 0.25%, 0.24%

LAB 29.49, -0.58, 15.15

 

CMYK 0 / 15 / 55 / 76

HEX #3C331B

RGB 60 51 27

HSL 43.64, 0.38%, 0.17%

LAB 21.61, 0.11, 16.64

 

CMYK 0 / 23 / 81 / 83

HEX #2B2108

RGB 43 33 8

HSL 42.86, 0.69%, 0.1%

LAB 13.34, 1.23, 16.45

 

CMYK 0 / 42 / 100 / 90

HEX #1A0F00

RGB 26 15 0

HSL 34.62, 1%, 0.05%

LAB 5.07, 2.6, 7.64

 

CMYK 0 / 100 / 100 / 96

HEX #090000

RGB 9 0 0

HSL 0, 1%, 0.02%

LAB 0.52, 2.35, 0.83

 

CMYK 0 / 10 / 40 / 70

HEX #4D452E

RGB 77 69 46

HSL 44.52, 0.25%, 0.24%

LAB 29.49, -0.58, 15.15

 

CMYK 0 / 4 / 41 / 70

HEX #4C492D

RGB 76 73 45

HSL 54.19, 0.26%, 0.24%

LAB 30.62, -3.68, 17.23

 

CMYK 3 / 0 / 41 / 70

HEX #4A4C2D

RGB 74 76 45

HSL 63.87, 0.26%, 0.24%

LAB 31.38, -6.45, 18.17

 

CMYK 9 / 0 / 41 / 70

HEX #454C2D

RGB 69 76 45

HSL 73.55, 0.26%, 0.24%

LAB 30.93, -8.76, 17.51

 

CMYK 16 / 0 / 41 / 70

HEX #404C2D

RGB 64 76 45

HSL 83.23, 0.26%, 0.24%

LAB 30.52, -11.03, 16.89

 

CMYK 0 / 10 / 40 / 70

HEX #4D452E

RGB 77 69 46

HSL 44.52, 0.25%, 0.24%

LAB 29.49, -0.58, 15.15

 

CMYK 0 / 10 / 41 / 50

HEX #80734C

RGB 128 115 76

HSL 45, 0.25%, 0.4%

LAB 48.73, -0.99, 23.42

 

CMYK 0 / 11 / 40 / 30

HEX #B3A06B

RGB 179 160 107

HSL 44.17, 0.32%, 0.56%

LAB 66.36, -0.69, 30.16

 

CMYK 0 / 10 / 40 / 10

HEX #E6CE89

RGB 230 206 137

HSL 44.52, 0.65%, 0.72%

LAB 83.32, -1.06, 37.36

 

CMYK 0 / 12 / 38 / 90

HEX #1A1710

RGB 26 23 16

HSL 42, 0.24%, 0.08%

LAB 7.86, -0.03, 4.76

 

CMYK 0 / 10 / 40 / 70

HEX #4D452E

RGB 77 69 46

HSL 44.52, 0.25%, 0.24%

LAB 29.49, -0.58, 15.15

 

CMYK 38 / 0 / 41 / 70

HEX #2F4C2D

RGB 47 76 45

HSL 116.13, 0.26%, 0.24%

LAB 29.32, -18.14, 15.09

 

CMYK 26 / 41 / 0 / 70

HEX #382D4C

RGB 56 45 76

HSL 261.29, 0.26%, 0.24%

LAB 20.98, 12.68, -17.34

 

CMYK 0 / 10 / 40 / 70

HEX #4D452E

RGB 77 69 46

HSL 44.52, 0.25%, 0.24%

LAB 29.49, -0.58, 15.15

 

CMYK 41 / 0 / 11 / 70

HEX #2D4C44

RGB 45 76 68

HSL 164.52, 0.26%, 0.24%

LAB 29.77, -13.65, 1.13

 

CMYK 11 / 41 / 0 / 70

HEX #442D4C

RGB 68 45 76

HSL 284.52, 0.26%, 0.24%

LAB 22.4, 17.05, -15.02

 

CMYK 0 / 10 / 40 / 70

HEX #4D452E

RGB 77 69 46

HSL 44.52, 0.25%, 0.24%

LAB 29.49, -0.58, 15.15

 

CMYK 38 / 0 / 41 / 70

HEX #2F4C2D

RGB 47 76 45

HSL 116.13, 0.26%, 0.24%

LAB 29.32, -18.14, 15.09

 

CMYK 41 / 29 / 0 / 70

HEX #2D364C

RGB 45 54 76

HSL 222.58, 0.26%, 0.24%

LAB 22.72, 2.66, -14.72

 

CMYK 3 / 41 / 0 / 70

HEX #4A2D4C

RGB 74 45 76

HSL 296.13, 0.26%, 0.24%

LAB 23.18, 19.28, -13.74

 

CMYK 0 / 10 / 40 / 70

HEX #4D452E

RGB 77 69 46

HSL 44.52, 0.25%, 0.24%

LAB 29.49, -0.58, 15.15

 

CMYK 41 / 0 / 30 / 70

HEX #2D4C35

RGB 45 76 53

HSL 135.48, 0.26%, 0.24%

LAB 29.37, -17.28, 10.14

 

CMYK 41 / 29 / 0 / 70

HEX #2D364C

RGB 45 54 76

HSL 222.58, 0.26%, 0.24%

LAB 22.72, 2.66, -14.72

 

CMYK 0 / 41 / 9 / 70

HEX #4C2D45

RGB 76 45 69

HSL 313.55, 0.26%, 0.24%

LAB 23.15, 18.53, -9.07

 

Description

Color code: CMYK 0 / 10 / 40 / 70 | qconv.com Color code: CMYK 0 / 10 / 40 / 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 69 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 69 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 40 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 40% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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