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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 10 / 35 / 72 it is the complementary color CMYK 12 / 9 / 0 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 10 / 35 / 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 10 / 35 / 72: CMYK 0 / 16 / 46 / 70, CMYK 0 / 12 / 35 / 64, CMYK 0 / 9 / 28 / 57, CMYK 0 / 7 / 23 / 50 and CMYK 0 / 6 / 19 / 44

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 10 / 35 / 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 10 / 35 / 72: CMYK 0 / 10 / 35 / 72, CMYK 0 / 15 / 50 / 79, CMYK 0 / 24 / 78 / 85, CMYK 0 / 50 / 100 / 92 and CMYK 0 / 100 / 100 / 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 35 / 72

HEX #47402E

RGB 71 64 46

HSL 43.2, 0.21%, 0.23%

LAB 27.31, -0.26, 12.13

Complementary color

CMYK 12 / 9 / 0 / 18

HEX #B8BFD1

RGB 184 191 209

HSL 223.2, 0.21%, 0.77%

LAB 77.31, 1.16, -9.85

 

CMYK 0 / 16 / 46 / 70

HEX #4C4029

RGB 76 64 41

HSL 39.43, 0.3%, 0.23%

LAB 27.75, 1.42, 15.98

 

CMYK 0 / 12 / 35 / 64

HEX #5D523C

RGB 93 82 60

HSL 40, 0.22%, 0.3%

LAB 35.38, 0.8, 14.59

 

CMYK 0 / 9 / 28 / 57

HEX #6E644F

RGB 110 100 79

HSL 40.65, 0.16%, 0.37%

LAB 42.75, 0.33, 13.37

 

CMYK 0 / 7 / 23 / 50

HEX #7F7662

RGB 127 118 98

HSL 41.38, 0.13%, 0.44%

LAB 49.92, -0.03, 12.28

 

CMYK 0 / 6 / 19 / 44

HEX #908875

RGB 144 136 117

HSL 42.22, 0.11%, 0.51%

LAB 56.9, -0.34, 11.28

 

CMYK 0 / 10 / 35 / 72

HEX #47402E

RGB 71 64 46

HSL 43.2, 0.21%, 0.23%

LAB 27.31, -0.26, 12.13

RAL® 6014

CMYK 0 / 15 / 50 / 79

HEX #362E1B

RGB 54 46 27

HSL 42.22, 0.33%, 0.16%

LAB 19.3, 0.35, 13.58

 

CMYK 0 / 24 / 78 / 85

HEX #251C08

RGB 37 28 8

HSL 41.38, 0.64%, 0.09%

LAB 10.86, 1.36, 12.93

 

CMYK 0 / 50 / 100 / 92

HEX #140A00

RGB 20 10 0

HSL 30, 1%, 0.04%

LAB 3.3, 2.02, 4.99

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 10 / 35 / 72

HEX #47402E

RGB 71 64 46

HSL 43.2, 0.21%, 0.23%

LAB 27.31, -0.26, 12.13

RAL® 6014

CMYK 0 / 3 / 34 / 73

HEX #46442E

RGB 70 68 46

HSL 55, 0.21%, 0.23%

LAB 28.47, -3.26, 13.66

 

CMYK 1 / 0 / 34 / 73

HEX #45462E

RGB 69 70 46

HSL 62.5, 0.21%, 0.23%

LAB 29.01, -4.97, 14.37

 

CMYK 7 / 0 / 34 / 73

HEX #41462E

RGB 65 70 46

HSL 72.5, 0.21%, 0.23%

LAB 28.65, -6.82, 13.82

 

CMYK 13 / 0 / 34 / 73

HEX #3D462E

RGB 61 70 46

HSL 82.5, 0.21%, 0.23%

LAB 28.3, -8.63, 13.29

 

CMYK 0 / 10 / 35 / 72

HEX #47402E

RGB 71 64 46

HSL 43.2, 0.21%, 0.23%

LAB 27.31, -0.26, 12.13

RAL® 6014

CMYK 0 / 10 / 35 / 52

HEX #7A6E4F

RGB 122 110 79

HSL 43.26, 0.21%, 0.39%

LAB 46.78, -0.33, 19.03

 

CMYK 0 / 10 / 35 / 32

HEX #AD9C70

RGB 173 156 112

HSL 43.28, 0.27%, 0.56%

LAB 64.83, -0.39, 25.35

 

CMYK 0 / 10 / 35 / 12

HEX #E0CA91

RGB 224 202 145

HSL 43.29, 0.56%, 0.72%

LAB 81.91, -0.45, 31.3

 

CMYK 0 / 10 / 35 / 92

HEX #14120D

RGB 20 18 13

HSL 42.86, 0.21%, 0.06%

LAB 5.51, -0.11, 2.81

 

CMYK 0 / 10 / 35 / 72

HEX #47402E

RGB 71 64 46

HSL 43.2, 0.21%, 0.23%

LAB 27.31, -0.26, 12.13

RAL® 6014

CMYK 31 / 0 / 34 / 73

HEX #30462E

RGB 48 70 46

HSL 115, 0.21%, 0.23%

LAB 27.31, -14.21, 11.8

 

CMYK 23 / 34 / 0 / 73

HEX #362E46

RGB 54 46 70

HSL 260, 0.21%, 0.23%

LAB 20.75, 9.56, -13.65

 

CMYK 0 / 10 / 35 / 72

HEX #47402E

RGB 71 64 46

HSL 43.2, 0.21%, 0.23%

LAB 27.31, -0.26, 12.13

RAL® 6014

CMYK 34 / 0 / 10 / 73

HEX #2E463F

RGB 46 70 63

HSL 162.5, 0.21%, 0.23%

LAB 27.63, -11.08, 1.26

 

CMYK 10 / 34 / 0 / 73

HEX #3F2E46

RGB 63 46 70

HSL 282.5, 0.21%, 0.23%

LAB 21.77, 13, -11.99

 

CMYK 0 / 10 / 35 / 72

HEX #47402E

RGB 71 64 46

HSL 43.2, 0.21%, 0.23%

LAB 27.31, -0.26, 12.13

RAL® 6014

CMYK 31 / 0 / 34 / 73

HEX #30462E

RGB 48 70 46

HSL 115, 0.21%, 0.23%

LAB 27.31, -14.21, 11.8

 

CMYK 34 / 24 / 0 / 73

HEX #2E3546

RGB 46 53 70

HSL 222.5, 0.21%, 0.23%

LAB 22.19, 1.81, -11.5

 

CMYK 3 / 34 / 0 / 73

HEX #442E46

RGB 68 46 70

HSL 295, 0.21%, 0.23%

LAB 22.39, 14.95, -10.99

 

CMYK 0 / 10 / 35 / 72

HEX #47402E

RGB 71 64 46

HSL 43.2, 0.21%, 0.23%

LAB 27.31, -0.26, 12.13

RAL® 6014

CMYK 34 / 0 / 27 / 73

HEX #2E4633

RGB 46 70 51

HSL 132.5, 0.21%, 0.23%

LAB 27.3, -13.96, 8.56

 

CMYK 34 / 24 / 0 / 73

HEX #2E3546

RGB 46 53 70

HSL 222.5, 0.21%, 0.23%

LAB 22.19, 1.81, -11.5

 

CMYK 0 / 34 / 7 / 73

HEX #462E41

RGB 70 46 65

HSL 312.5, 0.21%, 0.23%

LAB 22.44, 14.63, -7.52

 

Description

Color code: CMYK 0 / 10 / 35 / 72 | qconv.com Color code: CMYK 0 / 10 / 35 / 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 64 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 64 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 35 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 35% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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