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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 10 / 31 / 22 it is the complementary color CMYK 53 / 36 / 0 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 10 / 31 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 10 / 31 / 22: CMYK 0 / 12 / 35 / 20, CMYK 0 / 11 / 32 / 13, CMYK 0 / 10 / 29 / 7, CMYK 0 / 9 / 26 / 0 and CMYK 0 / 2 / 18 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 10 / 31 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 10 / 31 / 22: CMYK 0 / 10 / 31 / 22, CMYK 0 / 12 / 35 / 29, CMYK 0 / 13 / 40 / 35, CMYK 0 / 16 / 46 / 42 and CMYK 0 / 18 / 53 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 31 / 22

HEX #C7B389

RGB 199 179 137

HSL 40.65, 0.36%, 0.66%

LAB 73.67, 0.84, 24.09

 

Complementary color

CMYK 53 / 36 / 0 / 54

HEX #384C76

RGB 56 76 118

HSL 220.65, 0.36%, 0.34%

LAB 32.52, 5.18, -26.43

 

CMYK 0 / 12 / 35 / 20

HEX #CCB384

RGB 204 179 132

HSL 39.17, 0.41%, 0.66%

LAB 74.03, 2.2, 27.32

 

CMYK 0 / 11 / 32 / 13

HEX #DDC597

RGB 221 197 151

HSL 39.43, 0.51%, 0.73%

LAB 80.48, 1.72, 26.2

 

CMYK 0 / 10 / 29 / 7

HEX #EED7AA

RGB 238 215 170

HSL 39.71, 0.67%, 0.8%

LAB 86.84, 1.31, 25.14

 

CMYK 0 / 9 / 26 / 0

HEX #FFE9BD

RGB 255 233 189

HSL 40, 1%, 0.87%

LAB 93.11, 0.94, 24.14

 

CMYK 0 / 2 / 18 / 0

HEX #FFFBD0

RGB 255 251 208

HSL 54.89, 1%, 0.91%

LAB 97.96, -5.49, 21.13

 

CMYK 0 / 10 / 31 / 22

HEX #C7B389

RGB 199 179 137

HSL 40.65, 0.36%, 0.66%

LAB 73.67, 0.84, 24.09

 

CMYK 0 / 12 / 35 / 29

HEX #B6A176

RGB 182 161 118

HSL 40.31, 0.3%, 0.59%

LAB 67.08, 1.31, 25.23

 

CMYK 0 / 13 / 40 / 35

HEX #A58F63

RGB 165 143 99

HSL 40, 0.27%, 0.52%

LAB 60.38, 1.85, 26.46

 

CMYK 0 / 16 / 46 / 42

HEX #947D50

RGB 148 125 80

HSL 39.71, 0.3%, 0.45%

LAB 53.54, 2.51, 27.77

 

CMYK 0 / 18 / 53 / 49

HEX #836B3D

RGB 131 107 61

HSL 39.43, 0.36%, 0.38%

LAB 46.55, 3.33, 29.17

 

CMYK 0 / 10 / 31 / 22

HEX #C7B389

RGB 199 179 137

HSL 40.65, 0.36%, 0.66%

LAB 73.67, 0.84, 24.09

 

CMYK 0 / 5 / 31 / 22

HEX #C7BD89

RGB 199 189 137

HSL 50.32, 0.36%, 0.66%

LAB 76.28, -4.44, 27.61

 

CMYK 0 / 0 / 31 / 22

HEX #C7C789

RGB 199 199 137

HSL 60, 0.36%, 0.66%

LAB 78.92, -9.62, 31.12

 

CMYK 5 / 0 / 31 / 22

HEX #BDC789

RGB 189 199 137

HSL 69.68, 0.36%, 0.66%

LAB 78.15, -13.48, 29.96

 

CMYK 11 / 0 / 31 / 22

HEX #B2C789

RGB 178 199 137

HSL 80.32, 0.36%, 0.66%

LAB 77.35, -17.65, 28.75

 

CMYK 0 / 10 / 31 / 22

HEX #C7B389

RGB 199 179 137

HSL 40.65, 0.36%, 0.66%

LAB 73.67, 0.84, 24.09

 

CMYK 0 / 10 / 31 / 2

HEX #FAE1AC

RGB 250 225 172

HSL 40.77, 0.89%, 0.83%

LAB 90.39, 0.97, 29.1

 

CMYK 0 / 11 / 30 / 82

HEX #2E2920

RGB 46 41 32

HSL 38.57, 0.18%, 0.15%

LAB 16.85, 0.48, 6.75

 

CMYK 0 / 10 / 31 / 62

HEX #615743

RGB 97 87 67

HSL 40, 0.18%, 0.32%

LAB 37.41, 0.59, 13.13

 

CMYK 0 / 10 / 31 / 42

HEX #948566

RGB 148 133 102

HSL 40.43, 0.18%, 0.49%

LAB 56.12, 0.72, 18.81

 

CMYK 0 / 10 / 31 / 22

HEX #C7B389

RGB 199 179 137

HSL 40.65, 0.36%, 0.66%

LAB 73.67, 0.84, 24.09

 

CMYK 27 / 0 / 31 / 22

HEX #91C789

RGB 145 199 137

HSL 112.26, 0.36%, 0.66%

LAB 75.25, -29.49, 25.56

 

CMYK 23 / 31 / 0 / 22

HEX #9989C7

RGB 153 137 199

HSL 255.48, 0.36%, 0.66%

LAB 60.59, 19.1, -29.96

 

CMYK 0 / 10 / 31 / 22

HEX #C7B389

RGB 199 179 137

HSL 40.65, 0.36%, 0.66%

LAB 73.67, 0.84, 24.09

 

CMYK 31 / 0 / 11 / 22

HEX #89C7B2

RGB 137 199 178

HSL 159.68, 0.36%, 0.66%

LAB 75.69, -24.37, 4.19

 

CMYK 11 / 31 / 0 / 22

HEX #B289C7

RGB 178 137 199

HSL 279.68, 0.36%, 0.66%

LAB 62.91, 26.96, -26.19

 

CMYK 0 / 10 / 31 / 22

HEX #C7B389

RGB 199 179 137

HSL 40.65, 0.36%, 0.66%

LAB 73.67, 0.84, 24.09

 

CMYK 27 / 0 / 31 / 22

HEX #91C789

RGB 145 199 137

HSL 112.26, 0.36%, 0.66%

LAB 75.25, -29.49, 25.56

 

CMYK 31 / 21 / 0 / 22

HEX #899DC7

RGB 137 157 199

HSL 220.65, 0.36%, 0.66%

LAB 64.61, 2.84, -23.88

 

CMYK 4 / 31 / 0 / 22

HEX #BF89C7

RGB 191 137 199

HSL 292.26, 0.36%, 0.66%

LAB 64.23, 31.15, -24.04

 

CMYK 0 / 10 / 31 / 22

HEX #C7B389

RGB 199 179 137

HSL 40.65, 0.36%, 0.66%

LAB 73.67, 0.84, 24.09

 

CMYK 31 / 0 / 26 / 22

HEX #89C793

RGB 137 199 147

HSL 129.68, 0.36%, 0.66%

LAB 75, -30.44, 19.86

 

CMYK 31 / 21 / 0 / 22

HEX #899DC7

RGB 137 157 199

HSL 220.65, 0.36%, 0.66%

LAB 64.61, 2.84, -23.88

 

CMYK 0 / 31 / 5 / 22

HEX #C789BD

RGB 199 137 189

HSL 309.68, 0.36%, 0.66%

LAB 64.73, 31.91, -17.59

 

Description

Color code: CMYK 0 / 10 / 31 / 22 | qconv.com Color code: CMYK 0 / 10 / 31 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 179 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 179 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 31 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 31% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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