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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 10 / 15 / 60 it is the complementary color CMYK 9 / 3 / 0 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 10 / 15 / 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 10 / 15 / 60: CMYK 0 / 14 / 23 / 58, CMYK 0 / 11 / 19 / 51, CMYK 0 / 9 / 15 / 45, CMYK 0 / 8 / 12 / 38 and CMYK 0 / 6 / 10 / 31

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 10 / 15 / 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 10 / 15 / 60: CMYK 0 / 10 / 15 / 60, CMYK 0 / 13 / 20 / 67, CMYK 0 / 18 / 28 / 73, CMYK 0 / 25 / 41 / 80 and CMYK 0 / 41 / 68 / 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 15 / 60

HEX #665C57

RGB 102 92 87

HSL 20, 0.08%, 0.37%

LAB 39.86, 3.08, 4.33

 

Complementary color

CMYK 9 / 3 / 0 / 34

HEX #99A3A8

RGB 153 163 168

HSL 200, 0.08%, 0.63%

LAB 66.36, -2.52, -3.81

 

CMYK 0 / 14 / 23 / 58

HEX #6B5C52

RGB 107 92 82

HSL 24, 0.13%, 0.37%

LAB 40.23, 4.31, 7.99

 

CMYK 0 / 11 / 19 / 51

HEX #7C6E65

RGB 124 110 101

HSL 23.48, 0.1%, 0.44%

LAB 47.46, 3.88, 7.01

 

CMYK 0 / 9 / 15 / 45

HEX #8D8078

RGB 141 128 120

HSL 22.86, 0.08%, 0.51%

LAB 54.51, 3.51, 6.12

 

CMYK 0 / 8 / 12 / 38

HEX #9E928B

RGB 158 146 139

HSL 22.11, 0.09%, 0.58%

LAB 61.39, 3.2, 5.3

 

CMYK 0 / 6 / 10 / 31

HEX #AFA49E

RGB 175 164 158

HSL 21.18, 0.1%, 0.65%

LAB 68.12, 2.92, 4.53

 

CMYK 0 / 10 / 15 / 60

HEX #665C57

RGB 102 92 87

HSL 20, 0.08%, 0.37%

LAB 39.86, 3.08, 4.33

 

CMYK 0 / 13 / 20 / 67

HEX #554A44

RGB 85 74 68

HSL 21.18, 0.11%, 0.3%

LAB 32.36, 3.48, 5.27

 

CMYK 0 / 18 / 28 / 73

HEX #443831

RGB 68 56 49

HSL 22.11, 0.16%, 0.23%

LAB 24.57, 4, 6.35

 

CMYK 0 / 25 / 41 / 80

HEX #33261E

RGB 51 38 30

HSL 22.86, 0.26%, 0.16%

LAB 16.42, 4.71, 7.65

 

CMYK 0 / 41 / 68 / 87

HEX #22140B

RGB 34 20 11

HSL 23.48, 0.51%, 0.09%

LAB 7.81, 5.84, 7.28

 

CMYK 0 / 10 / 15 / 60

HEX #665C57

RGB 102 92 87

HSL 20, 0.08%, 0.37%

LAB 39.86, 3.08, 4.33

 

CMYK 0 / 7 / 15 / 60

HEX #655E56

RGB 101 94 86

HSL 32, 0.08%, 0.37%

LAB 40.32, 1.27, 5.59

 

CMYK 0 / 5 / 15 / 60

HEX #656056

RGB 101 96 86

HSL 40, 0.08%, 0.37%

LAB 40.9, 0.07, 6.42

 

CMYK 0 / 2 / 15 / 60

HEX #656356

RGB 101 99 86

HSL 52, 0.08%, 0.37%

LAB 41.79, -1.72, 7.67

 

CMYK 0 / 0 / 15 / 60

HEX #656556

RGB 101 101 86

HSL 60, 0.08%, 0.37%

LAB 42.38, -2.9, 8.51

 

CMYK 0 / 10 / 15 / 60

HEX #665C57

RGB 102 92 87

HSL 20, 0.08%, 0.37%

LAB 39.86, 3.08, 4.33

 

CMYK 0 / 10 / 14 / 40

HEX #998A83

RGB 153 138 131

HSL 19.09, 0.1%, 0.56%

LAB 58.59, 4.4, 5.78

 

CMYK 0 / 10 / 15 / 20

HEX #CCB8AE

RGB 204 184 174

HSL 20, 0.23%, 0.74%

LAB 76.18, 5.46, 7.66

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 10 / 14 / 80

HEX #332E2C

RGB 51 46 44

HSL 17.14, 0.07%, 0.19%

LAB 19.39, 1.82, 2.1

 

CMYK 0 / 10 / 15 / 60

HEX #665C57

RGB 102 92 87

HSL 20, 0.08%, 0.37%

LAB 39.86, 3.08, 4.33

 

CMYK 8 / 0 / 15 / 60

HEX #5D6556

RGB 93 101 86

HSL 92, 0.08%, 0.37%

LAB 41.7, -6.17, 7.45

 

CMYK 15 / 14 / 0 / 60

HEX #565765

RGB 86 87 101

HSL 236, 0.08%, 0.37%

LAB 37.36, 2.8, -8.18

 

CMYK 0 / 10 / 15 / 60

HEX #665C57

RGB 102 92 87

HSL 20, 0.08%, 0.37%

LAB 39.86, 3.08, 4.33

 

CMYK 15 / 0 / 10 / 60

HEX #56655B

RGB 86 101 91

HSL 140, 0.08%, 0.37%

LAB 41.28, -7.91, 3.75

 

CMYK 10 / 15 / 0 / 60

HEX #5B5665

RGB 91 86 101

HSL 260, 0.08%, 0.37%

LAB 37.52, 5.3, -7.9

 

CMYK 0 / 10 / 15 / 60

HEX #665C57

RGB 102 92 87

HSL 20, 0.08%, 0.37%

LAB 39.86, 3.08, 4.33

 

CMYK 8 / 0 / 15 / 60

HEX #5D6556

RGB 93 101 86

HSL 92, 0.08%, 0.37%

LAB 41.7, -6.17, 7.45

 

CMYK 15 / 5 / 0 / 60

HEX #566065

RGB 86 96 101

HSL 200, 0.08%, 0.37%

LAB 40.05, -2.7, -4.16

 

CMYK 7 / 15 / 0 / 60

HEX #5E5665

RGB 94 86 101

HSL 272, 0.08%, 0.37%

LAB 37.8, 6.44, -7.45

 

CMYK 0 / 10 / 15 / 60

HEX #665C57

RGB 102 92 87

HSL 20, 0.08%, 0.37%

LAB 39.86, 3.08, 4.33

 

CMYK 12 / 0 / 15 / 60

HEX #596556

RGB 89 101 86

HSL 108, 0.08%, 0.37%

LAB 41.38, -7.77, 6.96

 

CMYK 15 / 5 / 0 / 60

HEX #566065

RGB 86 96 101

HSL 200, 0.08%, 0.37%

LAB 40.05, -2.7, -4.16

 

CMYK 2 / 15 / 0 / 60

HEX #635665

RGB 99 86 101

HSL 292, 0.08%, 0.37%

LAB 38.28, 8.36, -6.67

 

Description

Color code: CMYK 0 / 10 / 15 / 60 | qconv.com Color code: CMYK 0 / 10 / 15 / 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 92 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 92 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 15 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 15% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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