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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 0 / 65 / 31 it is the complementary color CMYK 59 / 59 / 0 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 0 / 65 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 0 / 65 / 31: CMYK 0 / 3 / 69 / 29, CMYK 0 / 2 / 62 / 22, CMYK 0 / 1 / 56 / 16, CMYK 0 / 1 / 51 / 9 and CMYK 0 / 0 / 47 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 0 / 65 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 0 / 65 / 31: CMYK 0 / 0 / 65 / 31, CMYK 0 / 1 / 73 / 38, CMYK 0 / 1 / 83 / 44, CMYK 0 / 2 / 96 / 51 and CMYK 0 / 4 / 100 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 65 / 31

HEX #B0B03E

RGB 176 176 62

HSL 60, 0.48%, 0.47%

LAB 69.91, -14.35, 56.15

 

Complementary color

CMYK 59 / 59 / 0 / 24

HEX #4F4FC1

RGB 79 79 193

HSL 240, 0.48%, 0.53%

LAB 39.76, 33.7, -59.97

 

CMYK 0 / 3 / 69 / 29

HEX #B5B039

RGB 181 176 57

HSL 57.58, 0.52%, 0.47%

LAB 70.29, -12.49, 58.68

 

CMYK 0 / 2 / 62 / 22

HEX #C6C24C

RGB 198 194 76

HSL 58.03, 0.52%, 0.54%

LAB 76.75, -13.32, 58.03

 

CMYK 0 / 1 / 56 / 16

HEX #D7D45F

RGB 215 212 95

HSL 58.5, 0.6%, 0.61%

LAB 83.1, -14, 57.11

 

CMYK 0 / 1 / 51 / 9

HEX #E8E672

RGB 232 230 114

HSL 58.98, 0.72%, 0.68%

LAB 89.38, -14.57, 56.06

 

CMYK 0 / 0 / 47 / 2

HEX #F9F885

RGB 249 248 133

HSL 59.48, 0.91%, 0.75%

LAB 95.57, -15.05, 54.95

 

CMYK 0 / 0 / 65 / 31

HEX #B0B03E

RGB 176 176 62

HSL 60, 0.48%, 0.47%

LAB 69.91, -14.35, 56.15

 

CMYK 0 / 1 / 73 / 38

HEX #9F9E2B

RGB 159 158 43

HSL 59.48, 0.57%, 0.4%

LAB 63.34, -13.47, 56.52

 

CMYK 0 / 1 / 83 / 44

HEX #8E8C18

RGB 142 140 24

HSL 58.98, 0.71%, 0.33%

LAB 56.66, -12.36, 56.04

 

CMYK 0 / 2 / 96 / 51

HEX #7D7A05

RGB 125 122 5

HSL 58.5, 0.92%, 0.25%

LAB 49.85, -10.98, 54.08

 

CMYK 0 / 4 / 100 / 58

HEX #6C6800

RGB 108 104 0

HSL 57.78, 1%, 0.21%

LAB 42.9, -9.21, 49.31

 

CMYK 0 / 0 / 65 / 31

HEX #B0B03E

RGB 176 176 62

HSL 60, 0.48%, 0.47%

LAB 69.91, -14.35, 56.15

 

CMYK 11 / 0 / 65 / 31

HEX #9EB13E

RGB 158 177 62

HSL 69.91, 0.48%, 0.47%

LAB 68.8, -22.47, 54.54

 

CMYK 21 / 0 / 65 / 31

HEX #8BB13E

RGB 139 177 62

HSL 79.83, 0.48%, 0.47%

LAB 67.49, -30.21, 52.76

 

CMYK 33 / 0 / 65 / 31

HEX #77B13E

RGB 119 177 62

HSL 90.26, 0.48%, 0.47%

LAB 66.3, -37.84, 51.14

 

CMYK 44 / 0 / 65 / 31

HEX #64B13E

RGB 100 177 62

HSL 100.17, 0.48%, 0.47%

LAB 65.36, -44.4, 49.84

 

CMYK 0 / 0 / 65 / 31

HEX #B0B03E

RGB 176 176 62

HSL 60, 0.48%, 0.47%

LAB 69.91, -14.35, 56.15

 

CMYK 0 / 0 / 65 / 11

HEX #E3E350

RGB 227 227 80

HSL 60, 0.72%, 0.6%

LAB 87.9, -17.49, 68.83

 

CMYK 0 / 0 / 65 / 91

HEX #171708

RGB 23 23 8

HSL 60, 0.48%, 0.06%

LAB 7.34, -2.81, 7.65

 

CMYK 0 / 0 / 65 / 71

HEX #4A4A1A

RGB 74 74 26

HSL 60, 0.48%, 0.2%

LAB 30.47, -7.37, 27.97

 

CMYK 0 / 0 / 65 / 51

HEX #7D7D2C

RGB 125 125 44

HSL 60, 0.48%, 0.33%

LAB 50.93, -11.01, 42.68

 

CMYK 0 / 0 / 65 / 31

HEX #B0B03E

RGB 176 176 62

HSL 60, 0.48%, 0.47%

LAB 69.91, -14.35, 56.15

 

CMYK 65 / 0 / 52 / 31

HEX #3EB155

RGB 62 177 85

HSL 132, 0.48%, 0.47%

LAB 64.26, -51.82, 37.51

 

CMYK 26 / 65 / 0 / 31

HEX #833EB1

RGB 131 62 177

HSL 276, 0.48%, 0.47%

LAB 40.32, 49.69, -49.41

 

CMYK 0 / 0 / 65 / 31

HEX #B0B03E

RGB 176 176 62

HSL 60, 0.48%, 0.47%

LAB 69.91, -14.35, 56.15

 

CMYK 65 / 0 / 0 / 31

HEX #3EB1B1

RGB 62 177 177

HSL 180, 0.48%, 0.47%

LAB 66.25, -31.42, -9.48

 

CMYK 0 / 65 / 0 / 31

HEX #B13EB1

RGB 177 62 177

HSL 300, 0.48%, 0.47%

LAB 46.93, 60.61, -38.47

 

CMYK 0 / 0 / 65 / 31

HEX #B0B03E

RGB 176 176 62

HSL 60, 0.48%, 0.47%

LAB 69.91, -14.35, 56.15

 

CMYK 65 / 0 / 52 / 31

HEX #3EB155

RGB 62 177 85

HSL 132, 0.48%, 0.47%

LAB 64.26, -51.82, 37.51

 

CMYK 65 / 65 / 0 / 31

HEX #3E3EB1

RGB 62 62 177

HSL 240, 0.48%, 0.47%

LAB 33.23, 36.14, -61.24

 

CMYK 0 / 65 / 13 / 31

HEX #B13E9A

RGB 177 62 154

HSL 312, 0.48%, 0.47%

LAB 45.81, 56.86, -26.6

 

CMYK 0 / 0 / 65 / 31

HEX #B0B03E

RGB 176 176 62

HSL 60, 0.48%, 0.47%

LAB 69.91, -14.35, 56.15

 

CMYK 65 / 0 / 33 / 31

HEX #3EB177

RGB 62 177 119

HSL 149.74, 0.48%, 0.47%

LAB 64.8, -45.84, 20.43

 

CMYK 65 / 65 / 0 / 31

HEX #3E3EB1

RGB 62 62 177

HSL 240, 0.48%, 0.47%

LAB 33.23, 36.14, -61.24

 

CMYK 0 / 65 / 33 / 31

HEX #B13E77

RGB 177 62 119

HSL 330.26, 0.48%, 0.47%

LAB 44.41, 52.02, -7.52

 

Description

Color code: CMYK 0 / 0 / 65 / 31 | qconv.com Color code: CMYK 0 / 0 / 65 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 176 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 176 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 65 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 65% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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