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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 0 / 28 / 72 it is the complementary color CMYK 10 / 10 / 0 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 0 / 28 / 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 0 / 28 / 72: CMYK 0 / 7 / 39 / 70, CMYK 0 / 4 / 30 / 64, CMYK 0 / 3 / 24 / 57, CMYK 0 / 2 / 19 / 50 and CMYK 0 / 1 / 15 / 44

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 0 / 28 / 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 0 / 28 / 72: CMYK 0 / 0 / 28 / 72, CMYK 0 / 2 / 41 / 79, CMYK 0 / 5 / 65 / 85, CMYK 0 / 15 / 100 / 92 and CMYK 0 / 100 / 100 / 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 28 / 72

HEX #474733

RGB 71 71 51

HSL 60, 0.16%, 0.24%

LAB 29.63, -3.87, 12.07

 

Complementary color

CMYK 10 / 10 / 0 / 20

HEX #B8B8CC

RGB 184 184 204

HSL 240, 0.16%, 0.76%

LAB 75.35, 3.9, -10.07

 

CMYK 0 / 7 / 39 / 70

HEX #4C472E

RGB 76 71 46

HSL 50, 0.25%, 0.24%

LAB 30.01, -2.3, 15.81

 

CMYK 0 / 4 / 30 / 64

HEX #5D5941

RGB 93 89 65

HSL 51.43, 0.18%, 0.31%

LAB 37.58, -2.7, 14.51

 

CMYK 0 / 3 / 24 / 57

HEX #6E6B54

RGB 110 107 84

HSL 53.08, 0.13%, 0.38%

LAB 44.9, -3, 13.34

 

CMYK 0 / 2 / 19 / 50

HEX #7F7D67

RGB 127 125 103

HSL 55, 0.1%, 0.45%

LAB 52.02, -3.23, 12.29

 

CMYK 0 / 1 / 15 / 44

HEX #908F7A

RGB 144 143 122

HSL 57.27, 0.09%, 0.52%

LAB 58.96, -3.42, 11.32

 

CMYK 0 / 0 / 28 / 72

HEX #474733

RGB 71 71 51

HSL 60, 0.16%, 0.24%

LAB 29.63, -3.87, 12.07

 

CMYK 0 / 2 / 41 / 79

HEX #363520

RGB 54 53 32

HSL 57.27, 0.26%, 0.17%

LAB 21.71, -3.55, 13.43

 

CMYK 0 / 5 / 65 / 85

HEX #25230D

RGB 37 35 13

HSL 55, 0.48%, 0.1%

LAB 13.38, -3.01, 14.22

 

CMYK 0 / 15 / 100 / 92

HEX #141100

RGB 20 17 0

HSL 51, 1%, 0.04%

LAB 4.96, -1.37, 7.41

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 0 / 28 / 72

HEX #474733

RGB 71 71 51

HSL 60, 0.16%, 0.24%

LAB 29.63, -3.87, 12.07

 

CMYK 4 / 0 / 27 / 73

HEX #434633

RGB 67 70 51

HSL 69.47, 0.16%, 0.24%

LAB 28.93, -5.07, 11.07

 

CMYK 9 / 0 / 27 / 73

HEX #404633

RGB 64 70 51

HSL 78.95, 0.16%, 0.24%

LAB 28.67, -6.41, 10.66

 

CMYK 13 / 0 / 27 / 73

HEX #3D4633

RGB 61 70 51

HSL 88.42, 0.16%, 0.24%

LAB 28.41, -7.74, 10.27

 

CMYK 19 / 0 / 27 / 73

HEX #394633

RGB 57 70 51

HSL 101.05, 0.16%, 0.24%

LAB 28.09, -9.48, 9.77

 

CMYK 0 / 0 / 28 / 72

HEX #474733

RGB 71 71 51

HSL 60, 0.16%, 0.24%

LAB 29.63, -3.87, 12.07

 

CMYK 0 / 0 / 28 / 52

HEX #7A7A58

RGB 122 122 88

HSL 60, 0.16%, 0.41%

LAB 50.41, -5.93, 18.68

 

CMYK 0 / 0 / 28 / 32

HEX #ADAD7C

RGB 173 173 124

HSL 60, 0.23%, 0.58%

LAB 69.63, -7.95, 25.26

 

CMYK 0 / 0 / 28 / 12

HEX #E0E0A1

RGB 224 224 161

HSL 60, 0.5%, 0.75%

LAB 87.84, -9.73, 30.95

 

CMYK 0 / 0 / 30 / 92

HEX #14140E

RGB 20 20 14

HSL 60, 0.18%, 0.07%

LAB 6.15, -1.19, 3.25

 

CMYK 0 / 0 / 28 / 72

HEX #474733

RGB 71 71 51

HSL 60, 0.16%, 0.24%

LAB 29.63, -3.87, 12.07

 

CMYK 27 / 0 / 21 / 73

HEX #334637

RGB 51 70 55

HSL 132.63, 0.16%, 0.24%

LAB 27.74, -11.12, 6.64

 

CMYK 10 / 27 / 0 / 73

HEX #3F3346

RGB 63 51 70

HSL 277.89, 0.16%, 0.24%

LAB 23.23, 9.63, -9.77

 

CMYK 0 / 0 / 28 / 72

HEX #474733

RGB 71 71 51

HSL 60, 0.16%, 0.24%

LAB 29.63, -3.87, 12.07

 

CMYK 27 / 0 / 0 / 73

HEX #334646

RGB 51 70 70

HSL 180, 0.16%, 0.24%

LAB 28.18, -7.44, -2.44

 

CMYK 0 / 27 / 0 / 73

HEX #463346

RGB 70 51 70

HSL 300, 0.16%, 0.24%

LAB 24.04, 12.43, -8.46

 

CMYK 0 / 0 / 28 / 72

HEX #474733

RGB 71 71 51

HSL 60, 0.16%, 0.24%

LAB 29.63, -3.87, 12.07

 

CMYK 27 / 0 / 21 / 73

HEX #334637

RGB 51 70 55

HSL 132.63, 0.16%, 0.24%

LAB 27.74, -11.12, 6.64

 

CMYK 27 / 27 / 0 / 73

HEX #333346

RGB 51 51 70

HSL 240, 0.16%, 0.24%

LAB 21.99, 4.99, -11.77

 

CMYK 0 / 27 / 4 / 73

HEX #463343

RGB 70 51 67

HSL 309.47, 0.16%, 0.24%

LAB 23.92, 11.76, -6.63

 

CMYK 0 / 0 / 28 / 72

HEX #474733

RGB 71 71 51

HSL 60, 0.16%, 0.24%

LAB 29.63, -3.87, 12.07

 

CMYK 27 / 0 / 13 / 73

HEX #33463D

RGB 51 70 61

HSL 151.58, 0.16%, 0.24%

LAB 27.9, -9.73, 2.99

 

CMYK 27 / 27 / 0 / 73

HEX #333346

RGB 51 51 70

HSL 240, 0.16%, 0.24%

LAB 21.99, 4.99, -11.77

 

CMYK 0 / 27 / 13 / 73

HEX #46333D

RGB 70 51 61

HSL 328.42, 0.16%, 0.24%

LAB 23.69, 10.48, -2.94

 

Description

Color code: CMYK 0 / 0 / 28 / 72 | qconv.com Color code: CMYK 0 / 0 / 28 / 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 71 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 71 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 28 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 28% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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