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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 0 / 27 / 44 it is the complementary color CMYK 26 / 26 / 0 / 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 0 / 27 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 0 / 27 / 44: CMYK 0 / 3 / 33 / 42, CMYK 0 / 2 / 28 / 35, CMYK 0 / 2 / 25 / 29, CMYK 0 / 1 / 22 / 22 and CMYK 0 / 0 / 19 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 0 / 27 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 0 / 27 / 44: CMYK 0 / 0 / 27 / 44, CMYK 0 / 1 / 33 / 51, CMYK 0 / 2 / 39 / 57, CMYK 0 / 3 / 49 / 64 and CMYK 0 / 5 / 63 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 27 / 44

HEX #8F8F68

RGB 143 143 104

HSL 60, 0.16%, 0.48%

LAB 58.49, -6.61, 20.82

 

Complementary color

CMYK 26 / 26 / 0 / 41

HEX #707097

RGB 112 112 151

HSL 240, 0.16%, 0.52%

LAB 48.6, 9.03, -21.13

 

CMYK 0 / 3 / 33 / 42

HEX #948F63

RGB 148 143 99

HSL 53.88, 0.2%, 0.48%

LAB 58.83, -5.25, 24.13

 

CMYK 0 / 2 / 28 / 35

HEX #A5A176

RGB 165 161 118

HSL 54.89, 0.21%, 0.55%

LAB 65.59, -5.55, 22.97

 

CMYK 0 / 2 / 25 / 29

HEX #B6B389

RGB 182 179 137

HSL 56, 0.24%, 0.63%

LAB 72.22, -5.8, 21.89

 

CMYK 0 / 1 / 22 / 22

HEX #C7C59C

RGB 199 197 156

HSL 57.21, 0.28%, 0.7%

LAB 78.74, -6.02, 20.87

 

CMYK 0 / 0 / 19 / 15

HEX #D8D7AF

RGB 216 215 175

HSL 58.54, 0.34%, 0.77%

LAB 85.15, -6.21, 19.91

 

CMYK 0 / 0 / 27 / 44

HEX #8F8F68

RGB 143 143 104

HSL 60, 0.16%, 0.48%

LAB 58.49, -6.61, 20.82

 

CMYK 0 / 1 / 33 / 51

HEX #7E7D55

RGB 126 125 85

HSL 58.54, 0.19%, 0.41%

LAB 51.56, -6.35, 22

 

CMYK 0 / 2 / 39 / 57

HEX #6D6B42

RGB 109 107 66

HSL 57.21, 0.25%, 0.34%

LAB 44.46, -6.02, 23.27

 

CMYK 0 / 3 / 49 / 64

HEX #5C592F

RGB 92 89 47

HSL 56, 0.32%, 0.27%

LAB 37.16, -5.56, 24.63

 

CMYK 0 / 5 / 63 / 71

HEX #4B471C

RGB 75 71 28

HSL 54.89, 0.46%, 0.2%

LAB 29.63, -4.88, 25.98

 

CMYK 0 / 0 / 27 / 44

HEX #8F8F68

RGB 143 143 104

HSL 60, 0.16%, 0.48%

LAB 58.49, -6.61, 20.82

 

CMYK 4 / 0 / 28 / 45

HEX #878D66

RGB 135 141 102

HSL 69.23, 0.16%, 0.48%

LAB 57.23, -9.05, 20.13

 

CMYK 9 / 0 / 28 / 45

HEX #808D66

RGB 128 141 102

HSL 80, 0.16%, 0.48%

LAB 56.68, -11.85, 19.29

 

CMYK 13 / 0 / 28 / 45

HEX #7A8D66

RGB 122 141 102

HSL 89.23, 0.16%, 0.48%

LAB 56.23, -14.21, 18.61

 

CMYK 18 / 0 / 28 / 45

HEX #738D66

RGB 115 141 102

HSL 100, 0.16%, 0.48%

LAB 55.74, -16.9, 17.85

 

CMYK 0 / 0 / 27 / 44

HEX #8F8F68

RGB 143 143 104

HSL 60, 0.16%, 0.48%

LAB 58.49, -6.61, 20.82

 

CMYK 0 / 0 / 27 / 24

HEX #C2C28D

RGB 194 194 141

HSL 60, 0.3%, 0.66%

LAB 77.27, -8.46, 26.75

 

CMYK 0 / 0 / 27 / 4

HEX #F5F5B2

RGB 245 245 178

HSL 60, 0.77%, 0.83%

LAB 95.13, -10.21, 32.36

 

CMYK 0 / 0 / 27 / 84

HEX #29291E

RGB 41 41 30

HSL 60, 0.15%, 0.14%

LAB 16.26, -2.37, 7.24

 

CMYK 0 / 0 / 27 / 64

HEX #5C5C43

RGB 92 92 67

HSL 60, 0.16%, 0.31%

LAB 38.44, -4.62, 14.44

 

CMYK 0 / 0 / 27 / 44

HEX #8F8F68

RGB 143 143 104

HSL 60, 0.16%, 0.48%

LAB 58.49, -6.61, 20.82

 

CMYK 28 / 0 / 22 / 45

HEX #668D6E

RGB 102 141 110

HSL 132.31, 0.16%, 0.48%

LAB 55.07, -20.18, 12.26

 

CMYK 11 / 28 / 0 / 45

HEX #7E668D

RGB 126 102 141

HSL 276.92, 0.16%, 0.48%

LAB 46.79, 17.34, -17.86

 

CMYK 0 / 0 / 27 / 44

HEX #8F8F68

RGB 143 143 104

HSL 60, 0.16%, 0.48%

LAB 58.49, -6.61, 20.82

 

CMYK 28 / 0 / 0 / 45

HEX #668D8D

RGB 102 141 141

HSL 180, 0.16%, 0.48%

LAB 55.88, -13.39, -4.37

 

CMYK 0 / 28 / 0 / 45

HEX #8D668D

RGB 141 102 141

HSL 300, 0.16%, 0.48%

LAB 48.37, 22.6, -15.31

 

CMYK 0 / 0 / 27 / 44

HEX #8F8F68

RGB 143 143 104

HSL 60, 0.16%, 0.48%

LAB 58.49, -6.61, 20.82

 

CMYK 28 / 0 / 22 / 45

HEX #668D6E

RGB 102 141 110

HSL 132.31, 0.16%, 0.48%

LAB 55.07, -20.18, 12.26

 

CMYK 28 / 28 / 0 / 45

HEX #66668D

RGB 102 102 141

HSL 240, 0.16%, 0.48%

LAB 44.59, 9.27, -21.43

 

CMYK 0 / 28 / 5 / 45

HEX #8D6686

RGB 141 102 134

HSL 310.77, 0.16%, 0.48%

LAB 48.12, 21.22, -11.52

 

CMYK 0 / 0 / 27 / 44

HEX #8F8F68

RGB 143 143 104

HSL 60, 0.16%, 0.48%

LAB 58.49, -6.61, 20.82

 

CMYK 28 / 0 / 13 / 45

HEX #668D7A

RGB 102 141 122

HSL 150.77, 0.16%, 0.48%

LAB 55.36, -17.73, 5.8

 

CMYK 28 / 28 / 0 / 45

HEX #66668D

RGB 102 102 141

HSL 240, 0.16%, 0.48%

LAB 44.59, 9.27, -21.43

 

CMYK 0 / 28 / 13 / 45

HEX #8D667A

RGB 141 102 122

HSL 329.23, 0.16%, 0.48%

LAB 47.71, 18.99, -4.96

 

Description

Color code: CMYK 0 / 0 / 27 / 44 | qconv.com Color code: CMYK 0 / 0 / 27 / 44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 143 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 143 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 27 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 27% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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