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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 084 / 018 / 086 / 004 it is the complementary color CMYK 2 / 76 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 084 / 018 / 086 / 004. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 084 / 018 / 086 / 004: CMYK 78 / 0 / 86 / 21, CMYK 72 / 0 / 78 / 14, CMYK 67 / 0 / 72 / 7, CMYK 63 / 0 / 66 / 0 and CMYK 56 / 0 / 59 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 084 / 018 / 086 / 004. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 084 / 018 / 086 / 004: CMYK 81 / 0 / 83 / 21, CMYK 88 / 0 / 92 / 28, CMYK 97 / 0 / 100 / 35, CMYK 100 / 0 / 100 / 42 and CMYK 100 / 0 / 100 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 084 / 018 / 086 / 004

HEX #27C922

RGB 39 201 34

HSL 118.2, 0.71%, 0.46%

LAB 71.09, -68.34, 64.61

 

Complementary color

CMYK 2 / 76 / 0 / 13

HEX #D836DD

RGB 216 54 221

HSL 298.2, 0.71%, 0.54%

LAB 54.51, 78.99, -51.45

 

CMYK 78 / 0 / 86 / 21

HEX #2CC91D

RGB 44 201 29

HSL 114.77, 0.75%, 0.45%

LAB 71.14, -67.94, 65.86

 

CMYK 72 / 0 / 78 / 14

HEX #3DDB30

RGB 61 219 48

HSL 115.44, 0.7%, 0.52%

LAB 77.2, -69.88, 66.59

 

CMYK 67 / 0 / 72 / 7

HEX #4EED43

RGB 78 237 67

HSL 116.12, 0.83%, 0.6%

LAB 83.23, -71.25, 66.48

 

CMYK 63 / 0 / 66 / 0

HEX #5FFF56

RGB 95 255 86

HSL 116.8, 1%, 0.67%

LAB 89.22, -72.2, 65.88

 

CMYK 56 / 0 / 59 / 0

HEX #70FF69

RGB 112 255 105

HSL 117.2, 1%, 0.71%

LAB 89.85, -66.59, 58.97

 

CMYK 81 / 0 / 83 / 21

HEX #27C922

RGB 39 201 34

HSL 118.2, 0.71%, 0.46%

LAB 71.09, -68.34, 64.61

 

CMYK 88 / 0 / 92 / 28

HEX #16B70F

RGB 22 183 15

HSL 117.5, 0.85%, 0.39%

LAB 65.02, -65.59, 63.1

 

CMYK 97 / 0 / 100 / 35

HEX #05A500

RGB 5 165 0

HSL 118.18, 1%, 0.32%

LAB 58.92, -61.95, 60.09

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 81 / 0 / 83 / 21

HEX #27C922

RGB 39 201 34

HSL 118.2, 0.71%, 0.46%

LAB 71.09, -68.34, 64.61

 

CMYK 83 / 0 / 72 / 22

HEX #22C838

RGB 34 200 56

HSL 127.95, 0.71%, 0.46%

LAB 70.83, -67.12, 57.48

 

CMYK 83 / 0 / 59 / 22

HEX #22C853

RGB 34 200 83

HSL 137.71, 0.71%, 0.46%

LAB 71.06, -64.24, 46.49

 

CMYK 83 / 0 / 45 / 22

HEX #22C86F

RGB 34 200 111

HSL 147.83, 0.71%, 0.46%

LAB 71.42, -59.96, 33.31

 

CMYK 83 / 0 / 31 / 22

HEX #22C88B

RGB 34 200 139

HSL 157.95, 0.71%, 0.46%

LAB 71.9, -54.42, 19.34

 

CMYK 81 / 0 / 83 / 21

HEX #27C922

RGB 39 201 34

HSL 118.2, 0.71%, 0.46%

LAB 71.09, -68.34, 64.61

 

CMYK 81 / 0 / 83 / 1

HEX #31FC2B

RGB 49 252 43

HSL 118.28, 0.97%, 0.58%

LAB 87.22, -81.42, 77.11

 

CMYK 81 / 0 / 83 / 81

HEX #093008

RGB 9 48 8

HSL 118.5, 0.71%, 0.11%

LAB 16.45, -23.02, 19.95

 

CMYK 81 / 0 / 83 / 61

HEX #136311

RGB 19 99 17

HSL 118.54, 0.71%, 0.23%

LAB 36.18, -39.7, 36.91

 

CMYK 81 / 0 / 83 / 41

HEX #1D9619

RGB 29 150 25

HSL 118.08, 0.71%, 0.34%

LAB 54.18, -54.57, 51.43

 

CMYK 81 / 0 / 83 / 21

HEX #27C922

RGB 39 201 34

HSL 118.2, 0.71%, 0.46%

LAB 71.09, -68.34, 64.61

 

CMYK 83 / 14 / 0 / 22

HEX #22ACC8

RGB 34 172 200

HSL 190.12, 0.71%, 0.46%

LAB 64.97, -25.13, -24.22

 

CMYK 0 / 83 / 47 / 22

HEX #C8226A

RGB 200 34 106

HSL 333.98, 0.71%, 0.46%

LAB 44.89, 66.19, 1.68

 

CMYK 81 / 0 / 83 / 21

HEX #27C922

RGB 39 201 34

HSL 118.2, 0.71%, 0.46%

LAB 71.09, -68.34, 64.61

 

CMYK 83 / 81 / 0 / 22

HEX #2227C8

RGB 34 39 200

HSL 238.19, 0.71%, 0.46%

LAB 29.31, 54.18, -81.32

 

CMYK 0 / 83 / 81 / 22

HEX #C82227

RGB 200 34 39

HSL 358.19, 0.71%, 0.46%

LAB 43.61, 62.38, 40.84

 

CMYK 81 / 0 / 83 / 21

HEX #27C922

RGB 39 201 34

HSL 118.2, 0.71%, 0.46%

LAB 71.09, -68.34, 64.61

 

CMYK 83 / 14 / 0 / 22

HEX #22ACC8

RGB 34 172 200

HSL 190.12, 0.71%, 0.46%

LAB 64.97, -25.13, -24.22

 

CMYK 3 / 83 / 0 / 22

HEX #C322C8

RGB 195 34 200

HSL 298.19, 0.71%, 0.46%

LAB 48.15, 76.67, -49.77

 

CMYK 0 / 70 / 83 / 22

HEX #C83D22

RGB 200 61 34

HSL 9.76, 0.71%, 0.46%

LAB 46.62, 53.72, 46.3

 

CMYK 81 / 0 / 83 / 21

HEX #27C922

RGB 39 201 34

HSL 118.2, 0.71%, 0.46%

LAB 71.09, -68.34, 64.61

 

CMYK 83 / 39 / 0 / 22

HEX #227AC8

RGB 34 122 200

HSL 208.19, 0.71%, 0.46%

LAB 50.01, 2.83, -47.61

 

CMYK 3 / 83 / 0 / 22

HEX #C322C8

RGB 195 34 200

HSL 298.19, 0.71%, 0.46%

LAB 48.15, 76.67, -49.77

 

CMYK 0 / 45 / 83 / 22

HEX #C86F22

RGB 200 111 34

HSL 27.83, 0.71%, 0.46%

LAB 55.85, 29.95, 54.58

 

Description

Color code: CMYK 084 / 018 / 086 / 004 | qconv.com Color code: CMYK 084 / 018 / 086 / 004 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 201 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 201 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 084 cyan, 018 magenta, 086 yellow and 004 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
084% 018% 086% 004% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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