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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0.917 / 0.579 / 0 / 0.431 it is the complementary color CMYK 0 / 0 / 67 / 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0.917 / 0.579 / 0 / 0.431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0.917 / 0.579 / 0 / 0.431: CMYK 0 / 1 / 2 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0.917 / 0.579 / 0 / 0.431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0.917 / 0.579 / 0 / 0.431: CMYK 1 / 1 / 0 / 0, CMYK 0 / 0 / 0 / 8, CMYK 0 / 1 / 1 / 15, CMYK 0 / 1 / 2 / 21 and CMYK 0 / 2 / 3 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0.917 / 0.579 / 0 / 0.431

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

Complementary color

CMYK 0 / 0 / 67 / 99

HEX #030301

RGB 3 3 1

HSL 60, 0.5%, 0.01%

LAB 0.78, -0.28, 0.76

 

CMYK 0 / 1 / 2 / 0

HEX #FFFCF9

RGB 255 252 249

HSL 30, 1%, 0.99%

LAB 99.11, 0.48, 1.77

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 0 / 0 / 0 / 8

HEX #EBEAEB

RGB 235 234 235

HSL 300, 0.02%, 0.92%

LAB 92.8, 0.52, -0.38

 

CMYK 0 / 1 / 1 / 15

HEX #DAD8D8

RGB 218 216 216

HSL 0, 0.03%, 0.85%

LAB 86.49, 0.68, 0.23

 

CMYK 0 / 1 / 2 / 21

HEX #C9C6C5

RGB 201 198 197

HSL 15, 0.04%, 0.78%

LAB 80.09, 0.86, 0.86

 

CMYK 0 / 2 / 3 / 28

HEX #B8B4B2

RGB 184 180 178

HSL 20, 0.04%, 0.71%

LAB 73.58, 1.05, 1.51

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 1 / 1 / 0 / 1

HEX #FBFBFD

RGB 251 251 253

HSL 240, 0.33%, 0.99%

LAB 98.67, 0.36, -0.97

 

CMYK 0 / 1 / 0 / 1

HEX #FCFBFD

RGB 252 251 253

HSL 270, 0.33%, 0.99%

LAB 98.74, 0.69, -0.85

 

CMYK 0 / 1 / 0 / 1

HEX #FCFBFD

RGB 252 251 253

HSL 270, 0.33%, 0.99%

LAB 98.74, 0.69, -0.85

 

CMYK 0 / 1 / 0 / 1

HEX #FCFBFD

RGB 252 251 253

HSL 270, 0.33%, 0.99%

LAB 98.74, 0.69, -0.85

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 0 / 0 / 0 / 80

HEX #323232

RGB 50 50 50

HSL 0, 0%, 0.2%

LAB 20.79, 0, -0

 

CMYK 1 / 1 / 0 / 60

HEX #646465

RGB 100 100 101

HSL 240, 0%, 0.39%

LAB 42.4, 0.21, -0.57

 

CMYK 1 / 1 / 0 / 40

HEX #979798

RGB 151 151 152

HSL 240, 0%, 0.59%

LAB 62.49, 0.2, -0.53

 

CMYK 1 / 1 / 0 / 20

HEX #C9C9CB

RGB 201 201 203

HSL 240, 0.02%, 0.79%

LAB 81.02, 0.37, -1

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 0 / 1 / 0 / 1

HEX #FDFBFD

RGB 253 251 253

HSL 300, 0.33%, 0.99%

LAB 98.82, 1.02, -0.73

 

CMYK 0 / 0 / 1 / 1

HEX #FCFDFB

RGB 252 253 251

HSL 90, 0.33%, 0.99%

LAB 99.19, -0.67, 0.83

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 0 / 1 / 1 / 1

HEX #FDFBFB

RGB 253 251 251

HSL 0, 0.33%, 0.99%

LAB 98.77, 0.67, 0.22

 

CMYK 1 / 0 / 1 / 1

HEX #FBFDFB

RGB 251 253 251

HSL 120, 0.33%, 0.99%

LAB 99.11, -1, 0.71

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 0 / 1 / 0 / 1

HEX #FDFBFD

RGB 253 251 253

HSL 300, 0.33%, 0.99%

LAB 98.82, 1.02, -0.73

 

CMYK 0 / 0 / 1 / 1

HEX #FDFDFB

RGB 253 253 251

HSL 60, 0.33%, 0.99%

LAB 99.26, -0.34, 0.94

 

CMYK 1 / 0 / 1 / 1

HEX #FBFDFB

RGB 251 253 251

HSL 120, 0.33%, 0.99%

LAB 99.11, -1, 0.71

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 0 / 1 / 0 / 1

HEX #FDFBFC

RGB 253 251 252

HSL 330, 0.33%, 0.99%

LAB 98.79, 0.84, -0.25

 

CMYK 0 / 0 / 1 / 1

HEX #FDFDFB

RGB 253 253 251

HSL 60, 0.33%, 0.99%

LAB 99.26, -0.34, 0.94

 

CMYK 1 / 0 / 0 / 1

HEX #FBFDFC

RGB 251 253 252

HSL 150, 0.33%, 0.99%

LAB 99.14, -0.83, 0.24

 

Description

Color code: CMYK 0.917 / 0.579 / 0 / 0.431 | qconv.com Color code: CMYK 0.917 / 0.579 / 0 / 0.431 | qconv.com - big

With this color almost no shade stands out particularly. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 252 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 252 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 0.917 cyan, 0.579 magenta, none yellow and 0.431 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0.917% 0.579% 0% 0.431% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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