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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Brillux Mix - Brillux 5260 it is the complementary color Brillux Mix - Brillux 5230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Brillux Mix - Brillux 5260. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Brillux Mix - Brillux 5260: Brillux Mix - Brillux 5561, Brillux Mix - Brillux 6861, Brillux Mix - Brillux 5270, Brillux Mix - Brillux 5280 and Brillux Mix - Brillux 6284

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Brillux Mix - Brillux 5260. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Brillux Mix - Brillux 5260: Brillux Mix - Brillux 5260, Brillux Mix - Brillux 7851, Brillux Mix - Brillux 6841, Brillux Mix - Brillux 6631 and Brillux Mix - Brillux 6231

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 1 / 35

HEX #A7A6A6

RGB 167 166 166

HSL 0, 0.01%, 0.65%

LAB 68.2, 0.36, 0.12

Brillux Mix
Brillux 5260

Complementary color

CMYK 2 / 1 / 0 / 64

HEX #5A5B5C

RGB 90 91 92

HSL 210, 0.01%, 0.36%

LAB 38.6, -0.18, -0.72

Brillux Mix
Brillux 5230

CMYK 0 / 6 / 7 / 32

HEX #AEA3A1

RGB 174 163 161 1

HSL 9.23, 0.07%, 0.66%

LAB 67.85, 3.62, 2.46

Brillux Mix
Brillux 5561

CMYK 0 / 1 / 8 / 24

HEX #C2C1B2

RGB 194 193 178 1

HSL 56.25, 0.12%, 0.73%

LAB 77.77, -2.3, 7.67

Brillux Mix
Brillux 6861

CMYK 0 / 1 / 3 / 22

HEX #C8C6C2

RGB 200 198 194 1

HSL 40, 0.05%, 0.77%

LAB 79.93, -0.03, 2.24

Brillux Mix
Brillux 5270

CMYK 0 / 1 / 6 / 12

HEX #E1DED4

RGB 225 222 212 1

HSL 46.15, 0.18%, 0.86%

LAB 88.45, -0.72, 5.25

Brillux Mix
Brillux 5280

CMYK 0 / 1 / 11 / 8

HEX #EBE8D2

RGB 235 232 210 1

HSL 52.8, 0.38%, 0.87%

LAB 91.7, -2.69, 11.06

Brillux Mix
Brillux 6284

CMYK 0 / 3 / 11 / 54

HEX #757168

RGB 117 113 104 1

HSL 41.54, 0.06%, 0.43%

LAB 47.74, -0.17, 5.54

Brillux Mix
Brillux 6631

CMYK 4 / 0 / 5 / 11

HEX #D9E2D6

RGB 217 226 214 1

HSL 105, 0.17%, 0.86%

LAB 88.92, -5.17, 4.81

Brillux Mix
Brillux 7981

CMYK 21 / 0 / 0 / 78

HEX #2D3939

RGB 45 57 57 1

HSL 180, 0.12%, 0.2%

LAB 22.93, -4.95, -1.66

Brillux Mix
Brillux 7711

CMYK 1 / 0 / 7 / 73

HEX #43443F

RGB 67 68 63 1

HSL 72, 0.04%, 0.26%

LAB 28.61, -1.5, 2.88

Brillux Mix
Brillux 6811

CMYK 2 / 0 / 1 / 53

HEX #767877

RGB 118 120 119 1

HSL 150, 0.01%, 0.47%

LAB 50.24, -0.95, 0.28

Brillux Mix
Brillux 5240

Description

Color code: Brillux Mix - Brillux 5260 | qconv.com Color code: Brillux Mix - Brillux 5260 | qconv.com - big

With this color almost no shade stands out particularly. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 166 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 166 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 1 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 1% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HKS® to Sherwin Williams®

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HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

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PANTONE® to RGB

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PANTONE® to RGBA

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

Icons

PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

nsc-logo

Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

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NCS® to RGB

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