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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - PPU9-19 Organic Field it is the complementary color Behr - HDC-CL-26A Indigo Ink. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - PPU9-19 Organic Field. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - PPU9-19 Organic Field: Behr - PWL-91 Pale Bamboo, Behr - BWC-26 Stucco Tan, Behr - PPF-12 Sunny Gazebo, Behr - P300-1 Lemon White and Behr - PR-W15 Ultra Pure Whiteâ®

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - PPU9-19 Organic Field. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - PPU9-19 Organic Field: Behr - PPU9-19 Organic Field, Behr - N340-3 Bonsai Pot, Behr - PMD-57 Fossil Stone, Behr - PPU8-03 Dry Pasture and Behr - N310-6 Palm Desert

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 14 / 22

HEX #C6C2AB

RGB 198 194 171

HSL 51.11, 0.19%, 0.72%

LAB 78.19, -2.53, 12.07

Behr
PPU9-19 Organic Field

Complementary color

CMYK 30 / 20 / 0 / 67

HEX #3B4354

RGB 59 67 84

HSL 220.8, 0.17%, 0.28%

LAB 28.34, 1.23, -11.25

Behr
HDC-CL-26A Indigo Ink

CMYK 0 / 5 / 16 / 21

HEX #C9BFA8

RGB 201 191 168 1

HSL 41.82, 0.23%, 0.72%

LAB 77.58, -0.32, 12.87

Behr
PWL-91 Pale Bamboo

CMYK 0 / 5 / 16 / 13

HEX #DDD1BA

RGB 221 209 186 1

HSL 39.43, 0.34%, 0.8%

LAB 84.23, 0.37, 12.9

Behr
BWC-26 Stucco Tan

CMYK 0 / 5 / 14 / 7

HEX #EDE1CC

RGB 237 225 204 1

HSL 38.18, 0.48%, 0.86%

LAB 89.96, 0.65, 11.73

Behr
PPF-12 Sunny Gazebo

CMYK 0 / 2 / 11 / 2

HEX #FBF6E0

RGB 251 246 224 1

HSL 48.89, 0.77%, 0.93%

LAB 96.74, -1.98, 11.17

Behr
P300-1 Lemon White

CMYK 0 / 2 / 14 / 22

HEX #C6C2AB

RGB 198 194 171 1

HSL 51.11, 0.19%, 0.72%

LAB 78.19, -2.53, 12.07

Behr
PPU9-19 Organic Field

CMYK 0 / 4 / 16 / 28

HEX #B8B19A

RGB 184 177 154 1

HSL 46, 0.17%, 0.66%

LAB 72.21, -1.42, 12.67

Behr
N340-3 Bonsai Pot

CMYK 0 / 4 / 17 / 35

HEX #A59E89

RGB 165 158 137 1

HSL 45, 0.13%, 0.59%

LAB 65.17, -1.09, 11.89

Behr
PMD-57 Fossil Stone

CMYK 0 / 7 / 24 / 42

HEX #948971

RGB 148 137 113 1

HSL 41.14, 0.14%, 0.51%

LAB 57.44, 0.07, 14.38

Behr
PPU8-03 Dry Pasture

CMYK 0 / 11 / 29 / 48

HEX #85775F

RGB 133 119 95 1

HSL 37.89, 0.17%, 0.45%

LAB 50.69, 1.43, 15.19

Behr
N310-6 Palm Desert

CMYK 0 / 2 / 14 / 22

HEX #C6C2AB

RGB 198 194 171 1

HSL 51.11, 0.19%, 0.72%

LAB 78.19, -2.53, 12.07

Behr
PPU9-19 Organic Field

CMYK 5 / 0 / 12 / 23

HEX #BAC4AD

RGB 186 196 173 1

HSL 86.09, 0.16%, 0.72%

LAB 77.84, -7.6, 10.37

Behr
PPU11-10 Whitewater Bay

CMYK 5 / 0 / 12 / 23

HEX #BAC4AD

RGB 186 196 173 1

HSL 86.09, 0.16%, 0.72%

LAB 77.84, -7.6, 10.37

Behr
PPU11-10 Whitewater Bay

CMYK 0 / 2 / 14 / 22

HEX #C6C2AB

RGB 198 194 171 1

HSL 51.11, 0.19%, 0.72%

LAB 78.19, -2.53, 12.07

Behr
PPU9-19 Organic Field

CMYK 0 / 3 / 13 / 2

HEX #FAF3D9

RGB 250 243 217 1

HSL 47.27, 0.77%, 0.92%

LAB 95.76, -1.91, 13.37

Behr
380C-1 Sun Glint

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 2 / 0 / 11 / 64

HEX #5B5D53

RGB 91 93 83 1

HSL 72, 0.06%, 0.35%

LAB 39.03, -2.83, 5.47

Behr
N380-7 Black Bamboo

CMYK 0 / 2 / 14 / 42

HEX #93907E

RGB 147 144 126 1

HSL 51.43, 0.09%, 0.54%

LAB 59.58, -2.14, 9.97

Behr
N350-5 Muted Sage

CMYK 0 / 2 / 14 / 22

HEX #C6C2AB

RGB 198 194 171 1

HSL 51.11, 0.19%, 0.72%

LAB 78.19, -2.53, 12.07

Behr
PPU9-19 Organic Field

CMYK 11 / 0 / 14 / 25

HEX #AABFA5

RGB 170 191 165 1

HSL 108.46, 0.17%, 0.7%

LAB 75.15, -12.07, 10.71

Behr
S400-4 Azalea Leaf

CMYK 6 / 16 / 0 / 22

HEX #BBA7C7

RGB 187 167 199 1

HSL 277.5, 0.22%, 0.72%

LAB 71.09, 13.19, -13.67

Behr
M570-4 Cyber Grape

CMYK 0 / 2 / 14 / 22

HEX #C6C2AB

RGB 198 194 171 1

HSL 51.11, 0.19%, 0.72%

LAB 78.19, -2.53, 12.07

Behr
PPU9-19 Organic Field

CMYK 15 / 0 / 3 / 24

HEX #A6C3BE

RGB 166 195 190 1

HSL 169.66, 0.19%, 0.71%

LAB 76.59, -10.75, -0.78

Behr
T17-08 Polished Aqua

CMYK 6 / 16 / 0 / 22

HEX #BBA7C7

RGB 187 167 199 1

HSL 277.5, 0.22%, 0.72%

LAB 71.09, 13.19, -13.67

Behr
M570-4 Cyber Grape

CMYK 0 / 2 / 14 / 22

HEX #C6C2AB

RGB 198 194 171 1

HSL 51.11, 0.19%, 0.72%

LAB 78.19, -2.53, 12.07

Behr
PPU9-19 Organic Field

CMYK 11 / 0 / 14 / 25

HEX #AABFA5

RGB 170 191 165 1

HSL 108.46, 0.17%, 0.7%

LAB 75.15, -12.07, 10.71

Behr
S400-4 Azalea Leaf

CMYK 16 / 12 / 0 / 22

HEX #A8AFC7

RGB 168 175 199 1

HSL 226.45, 0.22%, 0.72%

LAB 71.63, 2.49, -13.02

Behr
S540-3 Meadow Phlox

CMYK 0 / 20 / 8 / 17

HEX #D4A9C3

RGB 212 169 195 1

HSL 323.72, 0.33%, 0.75%

LAB 73.75, 19.96, -7.27

Behr
M120-4 Heart To Heart

CMYK 0 / 2 / 14 / 22

HEX #C6C2AB

RGB 198 194 171 1

HSL 51.11, 0.19%, 0.72%

LAB 78.19, -2.53, 12.07

Behr
PPU9-19 Organic Field

CMYK 18 / 0 / 13 / 18

HEX #AAD0B4

RGB 170 208 180 1

HSL 135.79, 0.29%, 0.74%

LAB 80.15, -18.03, 9.78

Behr
460D-4 Aloe Essence

CMYK 16 / 12 / 0 / 22

HEX #A8AFC7

RGB 168 175 199 1

HSL 226.45, 0.22%, 0.72%

LAB 71.63, 2.49, -13.02

Behr
S540-3 Meadow Phlox

CMYK 0 / 12 / 4 / 25

HEX #BEA8B7

RGB 190 168 183 1

HSL 319.09, 0.14%, 0.7%

LAB 71.13, 10.61, -4.77

Behr
680F-4 Soft Heather

Description

Color code: Behr - PPU9-19 Organic Field | qconv.com Color code: Behr - PPU9-19 Organic Field | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 194 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 194 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to RGB

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to HKS®

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