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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Baumit Silikat - Baumit 11V it is the complementary color Baumit Silikat - Baumit 11A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Baumit Silikat - Baumit 11V. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Baumit Silikat - Baumit 11V: Baumit Silikat - Baumit 11V, Baumit Silikat - Baumit 33U, Baumit Silikat - Baumit 13V, Baumit Silikat - Baumit 15R and Baumit Silikat - Baumit 15V

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Baumit Silikat - Baumit 11V. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Baumit Silikat - Baumit 11V: Baumit Silikat - Baumit 11V, Baumit Silikat - Baumit 41U, Baumit Silikat - Baumit 41U, Baumit Silikat - Baumit 21S and Baumit Silikat - Baumit 21S

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 30 / 46

HEX #8A6161

RGB 138 97 97

HSL 0, 0.17%, 0.46%

LAB 45.38, 16.66, 6.65

Baumit Silikat
Baumit 11V

Complementary color

CMYK 31 / 8 / 0 / 38

HEX #6D929E

RGB 109 146 158

HSL 194.69, 0.2%, 0.52%

LAB 58.3, -9.78, -10.48

Baumit Silikat
Baumit 11A

CMYK 0 / 23 / 36 / 36

HEX #A37D69

RGB 163 125 105 1

HSL 20.69, 0.24%, 0.53%

LAB 55.56, 11.87, 16.58

Baumit Silikat
Baumit 33U

CMYK 0 / 16 / 15 / 24

HEX #C3A4A5

RGB 195 164 165 1

HSL 358.06, 0.21%, 0.7%

LAB 70.08, 11.51, 3.71

Baumit Silikat
Baumit 15V

CMYK 0 / 19 / 31 / 54

HEX #765F52

RGB 118 95 82 1

HSL 21.67, 0.18%, 0.39%

LAB 42.22, 7.22, 10.96

Baumit Silikat
Baumit 41U

CMYK 0 / 19 / 31 / 54

HEX #765F52

RGB 118 95 82 1

HSL 21.67, 0.18%, 0.39%

LAB 42.22, 7.22, 10.96

Baumit Silikat
Baumit 41U

CMYK 0 / 2 / 1 / 62

HEX #626061

RGB 98 96 97 1

HSL 330, 0.01%, 0.38%

LAB 40.94, 1, -0.29

Baumit Silikat
Baumit 21S

CMYK 0 / 2 / 1 / 62

HEX #626061

RGB 98 96 97 1

HSL 330, 0.01%, 0.38%

LAB 40.94, 1, -0.29

Baumit Silikat
Baumit 21S

CMYK 0 / 11 / 39 / 46

HEX #8A7B54

RGB 138 123 84 1

HSL 43.33, 0.24%, 0.44%

LAB 52.07, -0.22, 23.44

Baumit Silikat
Baumit 41B

CMYK 0 / 11 / 39 / 46

HEX #8A7B54

RGB 138 123 84 1

HSL 43.33, 0.24%, 0.44%

LAB 52.07, -0.22, 23.44

Baumit Silikat
Baumit 41B

CMYK 0 / 25 / 40 / 30

HEX #B3866B

RGB 179 134 107 1

HSL 22.5, 0.32%, 0.56%

LAB 59.61, 13.64, 21.24

Baumit Silikat
Baumit 23U

CMYK 0 / 16 / 20 / 12

HEX #E1BDB5

RGB 225 189 181 1

HSL 10.91, 0.42%, 0.8%

LAB 79.47, 11.61, 8.83

Baumit Silikat
Baumit 27Z

CMYK 0 / 2 / 1 / 62

HEX #626061

RGB 98 96 97 1

HSL 330, 0.01%, 0.38%

LAB 40.94, 1, -0.29

Baumit Silikat
Baumit 21S

CMYK 0 / 2 / 1 / 62

HEX #626061

RGB 98 96 97 1

HSL 330, 0.01%, 0.38%

LAB 40.94, 1, -0.29

Baumit Silikat
Baumit 21S

CMYK 12 / 0 / 30 / 43

HEX #809165

RGB 128 145 101 1

HSL 83.18, 0.18%, 0.48%

LAB 57.83, -14.15, 21.4

Baumit Silikat
Baumit 21K

CMYK 28 / 13 / 0 / 43

HEX #697E91

RGB 105 126 145 1

HSL 208.5, 0.16%, 0.49%

LAB 51.8, -3.02, -12.77

Baumit Silikat
Baumit 51A

CMYK 18 / 0 / 25 / 45

HEX #738D6A

RGB 115 141 106 1

HSL 104.57, 0.14%, 0.48%

LAB 55.82, -16.22, 15.7

Baumit Silikat
Baumit 11K

CMYK 0 / 2 / 1 / 62

HEX #626061

RGB 98 96 97 1

HSL 330, 0.01%, 0.38%

LAB 40.94, 1, -0.29

Baumit Silikat
Baumit 21S

CMYK 12 / 0 / 30 / 43

HEX #809165

RGB 128 145 101 1

HSL 83.18, 0.18%, 0.48%

LAB 57.83, -14.15, 21.4

Baumit Silikat
Baumit 21K

CMYK 28 / 13 / 0 / 43

HEX #697E91

RGB 105 126 145 1

HSL 208.5, 0.16%, 0.49%

LAB 51.8, -3.02, -12.77

Baumit Silikat
Baumit 51A

CMYK 28 / 13 / 0 / 43

HEX #697E91

RGB 105 126 145 1

HSL 208.5, 0.16%, 0.49%

LAB 51.8, -3.02, -12.77

Baumit Silikat
Baumit 51A

CMYK 18 / 0 / 25 / 45

HEX #738D6A

RGB 115 141 106 1

HSL 104.57, 0.14%, 0.48%

LAB 55.82, -16.22, 15.7

Baumit Silikat
Baumit 11K

CMYK 28 / 13 / 0 / 43

HEX #697E91

RGB 105 126 145 1

HSL 208.5, 0.16%, 0.49%

LAB 51.8, -3.02, -12.77

Baumit Silikat
Baumit 51A

CMYK 0 / 11 / 2 / 48

HEX #847681

RGB 132 118 129 1

HSL 312.86, 0.06%, 0.49%

LAB 51.21, 7.5, -4.04

Baumit Silikat
Baumit 11F

Description

Color code: Baumit Silikat - Baumit 11V | qconv.com Color code: Baumit Silikat - Baumit 11V | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 97 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 97 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 30 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 30% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HKS® to Sherwin Williams®

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HKS® to NCS®

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PANTONE® to RGB

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PANTONE® to RGBA

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

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PANTONE® to NCS®

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

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NCS® to RGB

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NCS® to HEX

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NCS® to RAL®

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convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

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convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)

NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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