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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Adler color1200 - 002-2 it is the complementary color Adler color1200 - 110-2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Adler color1200 - 002-2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Adler color1200 - 002-2: Adler color1200 - 079-3, Adler color1200 - 003-3, Adler color1200 - 080-4, Adler color1200 - 026-4 and Adler color1200 - 025-4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Adler color1200 - 002-2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Adler color1200 - 002-2: Adler color1200 - 002-2, Adler color1200 - 081-1, Adler color1200 - 132-1, Adler color1200 - 170-2 and Adler color1200 - 134-2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

Adler color1200
002-2

Complementary color

CMYK 58 / 33 / 0 / 32

HEX #4974AD

RGB 73 116 173

HSL 214.2, 0.41%, 0.48%

LAB 48.16, 2.55, -34.88

Adler color1200
110-2

CMYK 0 / 15 / 55 / 29

HEX #B59A51

RGB 181 154 81 1

HSL 43.8, 0.4%, 0.51%

LAB 64.59, 0.83, 41.57

Adler color1200
079-3

CMYK 0 / 19 / 54 / 16

HEX #D5AC63

RGB 213 172 99 1

HSL 38.42, 0.58%, 0.61%

LAB 72.6, 6.21, 42.86

Adler color1200
003-3

CMYK 0 / 15 / 43 / 17

HEX #D4B579

RGB 212 181 121 1

HSL 39.56, 0.51%, 0.65%

LAB 75.09, 3.1, 34.67

Adler color1200
080-4

CMYK 0 / 14 / 41 / 6

HEX #EFCE8D

RGB 239 206 141 1

HSL 39.8, 0.75%, 0.75%

LAB 84.18, 2.92, 36.59

Adler color1200
026-4

CMYK 0 / 13 / 40 / 0

HEX #FFDF99

RGB 255 223 153 1

HSL 41.18, 1%, 0.8%

LAB 90.01, 1.72, 38.36

Adler color1200
025-4

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83 1

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

Adler color1200
002-2

CMYK 0 / 23 / 61 / 36

HEX #A37D40

RGB 163 125 64 1

HSL 36.97, 0.44%, 0.45%

LAB 54.89, 7.65, 38.37

Adler color1200
081-1

CMYK 0 / 15 / 68 / 43

HEX #927C2F

RGB 146 124 47 1

HSL 46.67, 0.51%, 0.38%

LAB 52.65, -0.65, 43.73

Adler color1200
132-1

CMYK 0 / 16 / 60 / 51

HEX #7E6A32

RGB 126 106 50 1

HSL 44.21, 0.43%, 0.35%

LAB 45.6, 0.63, 33.86

Adler color1200
170-2

CMYK 0 / 29 / 58 / 54

HEX #765432

RGB 118 84 50 1

HSL 30, 0.4%, 0.33%

LAB 38.59, 9.95, 25.29

Adler color1200
134-2

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83 1

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

Adler color1200
002-2

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83 1

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

Adler color1200
002-2

CMYK 0 / 2 / 56 / 26

HEX #BCB852

RGB 188 184 82 1

HSL 57.74, 0.44%, 0.53%

LAB 73.27, -11.98, 51.31

Adler color1200
130-2

CMYK 7 / 0 / 50 / 30

HEX #A6B259

RGB 166 178 89 1

HSL 68.09, 0.37%, 0.52%

LAB 69.94, -17.44, 43.66

Adler color1200
128-2

CMYK 25 / 0 / 51 / 24

HEX #92C35F

RGB 146 195 95 1

HSL 89.4, 0.45%, 0.57%

LAB 73.52, -32.92, 44.71

Adler color1200
071-1

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83 1

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

Adler color1200
002-2

CMYK 0 / 21 / 60 / 3

HEX #F8C564

RGB 248 197 100 1

HSL 39.32, 0.91%, 0.68%

LAB 82.28, 7.63, 54.66

Adler color1200
026-2

CMYK 0 / 21 / 26 / 78

HEX #392D2A

RGB 57 45 42 1

HSL 12, 0.15%, 0.19%

LAB 19.7, 4.92, 4.01

Adler color1200
143-1

CMYK 0 / 16 / 58 / 50

HEX #7F6B35

RGB 127 107 53 1

HSL 43.78, 0.41%, 0.35%

LAB 46.02, 0.77, 32.8

Adler color1200
001-1

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83 1

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

Adler color1200
002-2

CMYK 51 / 0 / 39 / 25

HEX #5DBE74

RGB 93 190 116 1

HSL 134.23, 0.43%, 0.55%

LAB 69.76, -44.77, 28.85

Adler color1200
070-1

CMYK 36 / 28 / 0 / 29

HEX #7481B4

RGB 116 129 180 1

HSL 227.81, 0.3%, 0.58%

LAB 54.77, 7.84, -28.42

Adler color1200
108-3

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83 1

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

Adler color1200
002-2

CMYK 45 / 0 / 15 / 29

HEX #64B69A

RGB 100 182 154 1

HSL 159.51, 0.36%, 0.55%

LAB 68.39, -31.77, 6.51

Adler color1200
068-4

CMYK 10 / 35 / 0 / 29

HEX #A376B5

RGB 163 118 181 1

HSL 282.86, 0.3%, 0.59%

LAB 56.17, 29.08, -26.49

Adler color1200
049-1

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83 1

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

Adler color1200
002-2

CMYK 51 / 0 / 39 / 25

HEX #5DBE74

RGB 93 190 116 1

HSL 134.23, 0.43%, 0.55%

LAB 69.76, -44.77, 28.85

Adler color1200
070-1

CMYK 58 / 33 / 0 / 32

HEX #4974AD

RGB 73 116 173 1

HSL 214.2, 0.41%, 0.48%

LAB 48.16, 2.55, -34.88

Adler color1200
110-2

CMYK 10 / 35 / 0 / 29

HEX #A376B5

RGB 163 118 181 1

HSL 282.86, 0.3%, 0.59%

LAB 56.17, 29.08, -26.49

Adler color1200
049-1

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83 1

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

Adler color1200
002-2

CMYK 51 / 0 / 39 / 25

HEX #5DBE74

RGB 93 190 116 1

HSL 134.23, 0.43%, 0.55%

LAB 69.76, -44.77, 28.85

Adler color1200
070-1

CMYK 58 / 33 / 0 / 32

HEX #4974AD

RGB 73 116 173 1

HSL 214.2, 0.41%, 0.48%

LAB 48.16, 2.55, -34.88

Adler color1200
110-2

CMYK 0 / 54 / 24 / 30

HEX #B25287

RGB 178 82 135 1

HSL 326.88, 0.38%, 0.51%

LAB 48.57, 45.21, -10.96

Adler color1200
010-4

Description

Color code: Adler color1200 - 002-2 | qconv.com Color code: Adler color1200 - 002-2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 154 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 154 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 54 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 54% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to PANTONE®

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CMYK to Sherwin Williams®

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HEX to RAL®

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HEX to HKS®

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HEX to PANTONE®

convert from #RRGGBB to Pantone®-number (Pantone 0000)

HEX to Sherwin Williams®

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)

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NCS® to RGBA

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NCS® to CMYK

convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black

Icons

NCS® to HEX

convert from NCS-number (S0000-X00X) to #RRGGBB

NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)

NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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